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Top Attractions in Northwestern Federal District

Saint Petersburg

Saint Petersburg is the second largest city in Russia. It is politically incorporated as a federal subject . It is located on the Neva River at the head of the Gulf of Finland on the Baltic Sea. In 1914 the name of the city was changed from Saint Petersburg to Petrograd , in 1924 to Leningrad , and in 1991, back to Saint Petersburg. In Russian literature, informal documents, and discourse, the word "Saint" is usually omitted, leaving "Petersburg". In casual conversation Russians may drop the "burg" as well, referring to it as "Peter". Saint Petersburg was founded by Tsar Peter the Great on May 27 [O.S. 16] 1703. Between 1713-1728 and 1732-1918, Saint Petersburg was the imperial capital of Russia. In 1918, the central government bodies moved from Saint Petersburg to Moscow. It is Russia's 2nd largest city after Moscow with 5 million inhabitants and the fourth most populated federal subject. Saint Petersburg is a major European cultural center, and also an important Russian port on the Baltic Sea. Saint Petersburg is often described as the most Westernized city of Russia, as well as its cultural capital. It is the northernmost city in the world with a population of over one million. The Historic Centre of Saint Petersburg and Related Groups of Monuments constitute a UNESCO World Heritage Site. Saint Petersburg is also home to The Hermitage, one of the largest art museums in the world. A large number of foreign consulates, international corporations, banks, and other businesses are located in Saint Petersburg.

Palace Square

Palace Square, connecting Nevsky Prospekt with Palace Bridge leading to Vasilievsky Island, is the central city square of St Petersburg and of the former Russian Empire. It was the setting of many events of worldwide significance, including the Bloody Sunday and the October Revolution of 1917. The earliest and most celebrated building on the square is the baroque white-and-azure Winter Palace of Russian tsars, which gave the square its name. Although the adjacent buildings are designed in the Neoclassical style, they perfectly match the palace in their scale, rhythm, and monumentality. The opposite, southern side of the square was designed in the shape of an arc by George von Velten in the late 18th century. These plans were executed half a century later, when Alexander I of Russia envisaged the square as a vast monument to the Russian victory over Napoleon and commissioned Carlo Rossi to design the bow-shaped Empire-style Building of the General Staff, which centers on a double triumphal arch crowned with a Roman quadriga. The centre of the square is marked with the Alexander Column, designed by Auguste de Montferrand. This red granite column is 47.5 metres high and weighs some 500 tons. It is set so well that no attachment to the base is needed. The eastern side of the square is occupied by Alessandro Brullos building of the Guards Corps Headquarters . The western side, however, opens towards Admiralty Square, thus making the Palace Square a vital part of the grand suite of St Petersburg squares. The square also serves as open-air venue for concerts by international acts, including Andrea Bocelli, Roger Waters, The Rolling Stones, AC/DC, Duran Duran, Anastacia, Elton John, Paul McCartney, Shakira, Madonna, Sting.

Saint Isaac's Square

Saint Isaacs Square or Isaakiyevskaya Ploshchad, known as Vorovsky Square between 1923 and 1944, in Saint Petersburg, Russia is a major city square sprawling between the Mariinsky Palace and Saint Isaacs Cathedral, which separates it from Senate Square. The square is graced by the equestrian Monument to Nicholas I. The Lobanov-Rostovsky House on the west side of the square was designed by Auguste de Montferrand. It may be described as an Empire style building that has an eight-column portico facing the Admiralty building. The main porch features the twin statues of Medici lions on granite pedestals; they were made famous by Pushkin in his last long poem, The Bronze Horseman. Nearby is Quarenghis Horse Guards Riding Hall, in part inspired by the Parthenon and flanked by the marble statues of the Dioscuri, by Paolo Triscornia. Opposite the cathedral is the Mariinsky Palace, built in 1829-1844 for Grand Duchess Maria Nikolayevna. Currently the palace houses the Saint Petersburg Legislative Assembly. In front of the palace is the 97-metre-wide Blue Bridge, which used to be the widest in Saint Petersburg. Spanning the Moika River, the bridge is usually perceived as the extension of the square, although in fact it forms a separate square, called Mariyinskaya. To the right from the bridge is so-called Neptunes Scale, with a granite top. This is a stele which marks water levels during major floods. To the east of the cathedral is the six-storey Hotel Astoria, designed by Fyodor Lidval. It opened in 1912 and was one of the most luxurious hotels in the Russian Empire. Adjacent to the Astoria is the hotel Angleterre, which is remembered as the deathplace of poet Sergei Yesenin. The building found at the corner of Malaya Morskaya Street is associated with Fyodor Dostoyevsky, who lived there in 1848-1849. At this period, he published his first work of fiction, White Nights. The Russian Institute of Plant Breeding named after Academician Nikolai Vavilov is located in two neo-Renaissance buildings. The institute has a unique collection of 160,000 cultivated plants, which Vavilov collected while travelling in every continent from 1921 to 1940. After the end of the war, a journal published in London reported that Vavilovs collection was lost during the Siege of Leningrad. However, the report was false: although many starved to death, the institutes staff would not consume a single grain of rice or potato tuber from the collection. One of the last buildings to be erected on the square was the trapezoidal red-granite German Embassy, by the architect Peter Behrens. The building is a reference point in the history of Western architecture, as it was the first specimen of Stripped Classicism, a style that enjoyed immense popularity in Stalinist Russia and Nazi Germany.

Winter Palace

The Winter Palace in Saint Petersburg, Russia, was, from 1732 to 1917, the official residence of the Russian monarchs. Situated between the Palace Embankment and the Palace Square, adjacent to the site of Peter the Greats original Winter Palace, the present and fourth Winter Palace was built and altered almost continuously between the late 1730s and 1837, when it was severely damaged by fire and immediately rebuilt. The storming of the palace in 1917 as depicted in Soviet paintings and Eisensteins 1927 film October became an iconic symbol of the Russian Revolution. The palace was constructed on a monumental scale that was intended to reflect the might and power of Imperial Russia. From the palace, the Tsar ruled over 22,400,000 square kilometres and over 125 million subjects by the end of the 19th century. It was designed by many architects, most notably Bartolomeo Rastrelli, in what came to be known as the Elizabethan Baroque style. The green-and-white palace has the shape of an elongated rectangle, and its principal façade is 250 m long and 100 ft high. The Winter Palace has been calculated to contain 1,786 doors, 1,945 windows, 1,500 rooms and 117 staircases. The rebuilding of 1837 left the exterior unchanged, but large parts of the interior were redesigned in a variety of tastes and styles, leading the palace to be described as a "19th-century palace inspired by a model in Rococo style." In 1905, the Bloody Sunday massacre occurred when demonstrators marched toward the Winter Palace, but by this time the Imperial Family had chosen to live in the more secure and secluded Alexander Palace at Tsarskoe Selo, and returned to the Winter Palace only for the most formal and rarest state occasions. Following the February Revolution of 1917, the palace was for a short time the seat of the Russian Provisional Government, led by Alexander Kerensky. Later that same year, the palace was stormed by a detachment of Red Army soldiers and sailors—a defining moment in the birth of the Soviet state. On a less glorious note, the month-long looting of the palaces wine cellars during this troubled period led to what has been described as "the greatest hangover in history". Today, the restored palace forms part of the complex of buildings housing the Hermitage Museum.

Juditten Church

Juditten Church is an originally Roman Catholic, later Protestant, and currently Russian Orthodox church in the Mendeleyevo district of Kaliningrad, Russia. Juditten was the name of Mendeleyevo when it was a quarter of Königsberg, Germany. It is the oldest building of Kaliningrad. One of the oldest churches of Sambia, the fortified church of was built in the Catholic state of the Teutonic Order between 1276 and 1294/98 or ca. 1287/88. In 1402 it was mentioned in the treasurers book as Judynkirchen. Frescoes by the painter Peter were located in the chancel by 1394. It received a free-standing tower ca. 1400, a crucifix ca. 1520, and a weather vane in 1577. The clock tower and nave were connected by a barrel-vaulted vestibule in 1820. Juditten became a shrine to the Virgin Mary and a medieval Christian pilgrimage site for visitors from throughout the Holy Roman Empire, especially during the era of Grand Master Konrad von Jungingen. The churchs frescoes depicted coats of arms (such as those of Grand Master Ulrich von Jungingen, the lives of Jesus and Mary, the Twelve Apostles, chivalric stories, and legendary creatures. Its larger-than-life Madonna and Child above a crescent moon was made out of colored wood by an unknown master before 1454. According to Friedrich Lahrs, the Madonna had previously been located in Königsberg Cathedrals chapel. Its pearls were stolen from its crown by Königsberg rebels in 1454 during the Thirteen Years War, with the Teutonic Knights replacing them in 1504 and moving the art to the pilgrimage site Juditten in 1504. The church was converted from Catholicism to Lutheranism in 1526 following the establishment of the Duchy of Prussia the previous year; pilgrimages were allowed to continue despite the Protestant Reformation. It also contained a cathedra from 1686, a Baroque altar, and an organ from 1840. The church included epitaphs and portraits of field marshals Erhard Ernst von Röder and Hans von Lehwaldt by the Königsberg artist E. A. Knopke; both Röder and Lehwaldt were successively married to a daughter of Wilhelm Dietrich von Buddenbrock. Johann Christoph Gottsched was born in the churchs rectory in 1700. Stanislaus Cauer was buried in the churchs cemetery. Although the church was largely undamaged by fighting during World War II, it was plundered in April 1945, when it passed from German to Russian control. Services continued until 1948. It was neglected until the 1970s, with the roof and part of the walls collapsing in the 1960s. It was reconsecrated in October 1985 as a Russian Orthodox church and was eventually restored to serve as the main church of St. Nicholas Orthodox Convent.

Ferapontov Monastery

The Ferapontov convent, in the Vologda region of Russia, is considered one of the purest examples of Russian medieval art, a reason given by UNESCO for its inscription on the World Heritage List. The monastery was founded by Saint Ferapont in 1398 in the inhospitable Russian North, to the east from the Kirillo-Belozersky Monastery, named after his fellow monk, Saint Kirill of Beloozero. The fame of the monastery started to spread under Kirills disciple, Saint Martinian, who was to become a father superior of the Troitse-Sergiyeva Lavra in 1447. Even after Martinians death, his monastery was protected and favoured by members of Ivan IIIs family. The most ancient structure, the Cathedral of Nativity of the Virgin, was built in brick by the masters of Rostov. This edifice is the best preserved of three sister cathedrals erected in the 1490s in the Russian North. All the interior walls are covered with invaluable frescoes by the great medieval painter Dionisius. This is the last surviving Russian medieval church with fully painted walls. During the 1530s, they added a treasury, a refectory, and the unique Annunciation church surmounted by a belfry. At that time the monastery enjoyed special privileges conferred upon it by Ivan the Terrible, and possessed some 60 villages in the vicinity. The tsar himself frequently visited the monastery as a pilgrim. In the Time of Troubles, the monastery was ravaged by the Poles. During its recovery the last buildings — the tent-like church of Saint Martinian, a two-tented barbican church, and a bell-tower — were added to the complex. The belfry clocks are said to be the oldest in Russia. As the monastery gradually lost its religious importance, it was being turned into a place of exile for distinguished clerics, such as the Patriarch Nikon. It was abolished by Emperor Paul in 1798, reinstituted as a convent in 1904, closed by the Bolsheviks twenty years later, and turned into a museum in 1975. The museum constitutes a part of the Russky Sever National Park since 1991. As of January 2013, images of the monastery and grounds were available via Google Street View.

Saint Michael's Castle

St. Michaels Castle, also called the Mikhailovsky Castle or the Engineers Castle, is a former royal residence in the historic centre of Saint Petersburg, Russia. St. Michaels Castle was built as a residence for Emperor Paul I by architects Vincenzo Brenna and Vasili Bazhenov in 1797-1801. The castle looks different from each side, as the architects used motifs of various architectural styles such as French Classicism, Italian Renaissance and Gothic. St. Michaels Castle was built to the south of the Summer Garden and replaced the small wooden palace of Empress Elizabeth Petrovna. Afraid of intrigues and assassination plots, Emperor Paul I disliked the Winter Palace where he never felt safe. Due to his personal fascination with medieval knights and his constant fear of assassination, the new royal residence was built like a castle around a small octagonal courtyard. The building with rounded corners was surrounded by the waters of the Moika River, the Fontanka River and two specially dug canals, transforming the castle area into an artificial island which could only be reached by drawbridges. Construction began on 26 February, 1797 and the castle was solemnly consecrated on 8 November 1800, i.e. on St. Michaels Day in the Eastern Orthodox calendar, though finishing work on the interior continued until March 1801. In 1800, the bronze equestrian Monument to Peter the Great was set up in front of the castle. This statue had been designed during Peter the Greats lifetime and later, with the casting being completed in 1747 by the architect Bartolomeo Rastrelli. By order of Paul I, the inscription "From Great Grandson to Great Grandfather" was made on the pedestal that is decorated with bas-reliefs depicting scenes of two Russian victories over Sweden during the Great Northern War. Ironically, Paul I was assassinated only 40 nights after he moved into his newly built castle. He was murdered on 12 March 1801, in his own bedroom, by a group of dismissed officers headed by General Bennigsen. The conspirators forced him to a table, and tried to compel him to sign his abdication. Paul offered some resistance, and one of the assassins struck him with a sword, and he was then strangled and trampled to death. He was succeeded by his son, Emperor Alexander I, who was actually in the palace at the time and was informed of his accession by General Nicholas Zubov, one of the assassins. After Pauls death, the imperial family returned to the Winter Palace; St. Michaels Castle was abandoned and in 1823 was given to the armys Main Engineering School . From then on, the building was known as the Engineers Castle. Between 1838 and 1843, the Russian writer Fyodor Dostoyevsky studied as a cadet at the Main Engineering School. In the early 1990s, St. Michaels Castle became a branch of the Russian Museum and now houses its Portrait Gallery, featuring official portraits of the Russian Emperors and Empresses and various dignitaries and celebrities from the late 17th to the early 20th century.

Koporye

Koporye is a historic village in Leningrad Oblast, Russia, located about 100 km to the west of St. Petersburg and 12 km south of the Koporye Bay of the Baltic Sea. It contains some of the most impressive medieval ruins in Russia. The first wooden fortress on the coast of the Koporye Bay was built by the Teutonic Knights in 1240, only to be destroyed by Alexander Nevsky the next year. The second fortress was built in stone by Alexanders son Dmitry Alexandrovich in 1280. Enraged by the princes independence, the Novgorodians razed the fortress two years later. The Swedes took advantage of the lack of a fortress and occupied the banks of the Narova river. The Novgorodians had to restore the stone fort in 1297. Koporye was the strongest stronghold in the region and survived numerous attacks during the Swedish-Novgorodian Wars. After Novgorods incorporation into Muscovy, the fortress was strengthened and rebuilt to withstand cannon fire. Most extant structures belong to that period. Russian forces surrendered Koporye during the Livonian War but regained it under the Treaty of Tyavzino. During the Time of Troubles Koporye was attacked by 2,500 Swedes, ten times more than the defenders. The Russian garrison had to surrender, and Koporye remained Swedish until 1703, known as Koporje or Caporie/Capurien, a residential town of the län of Caporie, constituting an important part of Swedish Ingria. As the Gulf of Finland grew shallow and receded to the north, the site began to lose its maritime importance. In 1703, during the Great Northern War, a major Russian army under Boris Sheremetev regained Koporye, which was defended by 80 Swedish soldiers under the commandant, Captain Wasili Apolloff. Huge gaps in the walls from the disastrous fire of the Russian artillery may still be seen. Despite some repairs undertaken in the 19th century, the fortress survives in a ruined state. The 15th century Church of the Transfiguration within the fortress is also in ruins. The painter Orest Kiprensky was a native of Koporye.

Peterhof Grand Palace

The Peterhof Grand Palace is actually a part of palaces and gardens, laid out on the orders of Peter the Great. These Palaces and gardens are sometimes referred as the "Russian Versailles". The palace-ensemble along with the city center is recognized as a UNESCO World Heritage Site. The largest of Peterhofs palaces looks truly imposing when seen from the Lower or Upper Gardens, but in fact it is quite narrow and not overly large. Of its approximately thirty public rooms, several deserve mention. The Chesma Hall is decorated with twelve large paintings of the Battle of Chesma, a stunning naval victory of the Russo-Turkish War, 1768-1774. These were painted between 1771 and 1773 by the German artist Jacob Philipp Hackert. His first renderings of the great battle scenes were criticized by witnesses as not showing realistically the effect of exploding ships — the flying timbers, great flames, smoke, and fireballs. Catherine II assisted the artist by exploding a frigate in the harbor of Livorno, Italy, for the benefit of Hackert, who had never seen a naval battle firsthand. Hackert also did not research the actual positions of the Russian and Turkish forces during the battle, so the scenes depicted are somewhat fanciful, but do effectively convey drama and destruction of naval warfare. The East and West Chinese Cabinets were decorated between 1766 and 1769 to exhibit objects of decorative art imported from the East. The walls were decorated with imitation Oriental patterns by Russian craftsmen, and hung with Chinese landscape paintings in yellow and black lacquer. Another room, positioned at the center of the palace, bears the name of the Picture Hall. Its walls are almost entirely covered by a series of 368 paintings, mostly of variously dressed women, differing in appearance and even age, yet most were drawn from a single model. These were purchased in 1764 from the widow of the Italian artist P. Rotari, who died in St. Petersburg.

Alexander-Svirsky Monastery

Alexander-Svirsky Monastery is a Russian Orthodox monastery situated deep in the woods of the Leningrad Oblast, just south from its border with the Republic of Karelia. The golden age of this cloister was in the 17th century. It was founded in 1487, when a monk of the Valaam Monastery, named Alexander, settled between Roschinsky and Holy lakes, 20 km to the east from Lake Ladoga and 6 km from the Svir River. During his life in the woods, he had a vision of the Holy Trinity who ordered him to build two oaken chapels dedicated to the Trinity and the Saviour's Transfiguration. These churches gave birth to the twin Trinity and the Transfiguration cloisters, collectively known as the Alexander Svirsky Monastery. The monastery's founder, Alexander Svirsky, died on August 30, 1533 and was buried at the Transfiguration cloister, which still serves as a burial place for the local monks. 12 years later, his disciples recounted his life in a biography. The church synod of 1547 canonized Alexander Svirsky, and the new saint became venerated throughout Russian lands. One of the chapels of the famous Saint Basil's Cathedral on Red Square, for instance, was consecrated to him. The Russian tsars bestowed many important privileges on Alexander's cloister, including the right to appropriate taxes from the Svirsky Fair, which was held annually under the cloister walls. During the Time of Troubles, the Swedes sacked and burnt both hermitages on three occasions, and yet the monastery continued to prosper. After the Russian-Swedish border was delineated west of the Svir River, much of the trade between two nations had to pass through the Svirsky Fair, further augmenting the monastery's importance. This renewed prosperity was reflected in the monastic structures erected in the 1640s. In 1644, when the five-domed Transfiguration Cathedral was finished, Tsar Mikhail Feodorovich presented to the monks a golden arc for keeping St Alexander's relics there. A belfry of the Trinity cloister was built in three tiers and crowned with three tents in 1649. Most of the monastic cells date back to the 1670s. The roomy Trinity Cathedral was completed by 1695. The last structure to be erected within monastery walls was the hospital chapel of St John of Damascus . The vast lands of the Alexander Svirsky Monastery were secularized during Catherine the Great's ecclesiastical reform in 1764. The Transfiguration cloister continued as a seat of the local seminary and a residence of the Olonets archbishops, who rebuilt much of the monastery structures for their own needs. Following the Russian Revolution of 1917, the brethren were executed or deported, while the relics of St Alexander were desecrated and put on a public display in Leningrad. The medieval monastery buildings housed an infamous gulag known as Svirlag. They were further damaged during World War II. Restoration did not commence until the 1970s. Currently, the Transfiguration Cloister is the home to the local monastic community, while the Trinity Cloister still houses a mental asylum instituted in 1953. The monastery has a subsidiary chapel in St Petersburg, situated some 260 km to the west.

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