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Top Attractions in Mantua

Ducal palace

The Palazzo Ducale di Mantova is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy. The buildings are connected by corridors and galleries and are enriched by inner courts and wide gardens. The complex includes some 500 rooms and occupies an area of c. 34,000 m². Although most famous for Mantegnas frescos in the Camera degli Sposi, they have many other very significant architectural and painted elements. The Gonzaga family lived in the palace from 1328 to 1707, when the dynasty died out. Subsequently, the buildings saw a sharp decline, which was halted in the 20th century with a continuing process of restoration and the designation of the area as museum. In 1998, a hidden room was discovered by Palace scholars, led by musicologist Paula Bezzutti. The room is thought to have been used for performances of Monteverdis music in the late 16th century.

Rotonda di San Lorenzo

The Rotonda di San Lorenzo is a religious building in Mantua, Lombardy . It is the most ancient church in the city. It is now sunk below the level of the Piazza della Erbe. It probably stands on the site of a Roman temple that was dedicated to the goddess Venus. It was built during the reign of the Canossa family in the late 11th century. Inspired by the Holy Sepulchre church in Jerusalem and dedicated to the martyr St. Lawrence, it has a central plan and has maintained ancient features like the matronaeum and frescoes of Byzantine school from the 11th-12th century. Another fresco fragment in the apse, portraying the Martyrdom of St. Lawrence, dates to 15th century. The construction, according to the Lombard tradition, is in bricks, but has two columns and other details in marble, coming from ancient edifices. Deconsecrated, it was used for dwellings, shops and stores, and at the beginning of the 20th century it was covered by other edifices. Later it was restored and the external additions removed.

Palatine Basilica of Santa Barbara

The Palazzo Ducale di Mantova is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy. The buildings are connected by corridors and galleries and are enriched by inner courts and wide gardens. The complex includes some 500 rooms and occupies an area of c. 34,000 m². Although most famous for Mantegna's frescos in the Camera degli Sposi , they have many other very significant architectural and painted elements. The Gonzaga family lived in the palace from 1328 to 1707, when the dynasty died out. Subsequently, the buildings saw a sharp decline, which was halted in the 20th century with a continuing process of restoration and the designation of the area as museum. In 1998, a hidden room was discovered by Palace scholars, led by musicologist Paula Bezzutti. The room is thought to have been used for performances of Monteverdi's music in the late 16th century.

Sant'Egidio

The church of Sant'Egidio is located in the historic center of Mantua on Via Pietro Frattini. A church was located on the site likely by the 9th century, but is documented from the year 1151 in a bull by Pope Eugenius III . In 1540, the chapel of the Valenti was built, commissioned by the last will of Valente Valenti, courtier in the Gonzaga Duchy. Beginning in 1721, the church underwent a major reconstruction, and the present facade dates to that time. In 1777, the cardinal Luigi Valenti reconstructed the family chapel. The interior, mainly the semicircular apse, contains the following canvases: Martyrdom of St Vincenzo Levita , by Giuseppe Bottani Martyrdom of St Vincenzo Ferrer , by Giovanni Bottani, brother of the above Madonna of the Rosary , by Vincenzo Borroni Altarpiece of Charity of St Guerrino by Giovanni Cadioli Altarpiece of Madonna, Child, St Dominic and the Blessed Osanna Andreasi, , attributed to Teodoro Ghisi

San Francesco

The Chiesa di San Francesco is a Roman Catholic church located in the historic center of Mantua, Italy, at Piazza San Francesco d'Assisi 5. The church was founded by the Franciscan Order in 1304 but it was not consecrated until 1459, when Pope Pius II performed the ceremony. Suppressed in 1782, it was sacked in 1797, during the Napoleonic Wars, and turned into an arsenal in 1811. Still in military use when World War II began, it was devastated by bombardment during the war. The Cappella Gonzaga, with its frescoes depicting the life of St. Louis of Toulouse ( Italian: San Ludovico d'Angiò ), was saved and recently restored. These frescoes were supposed to have been painted by Serafino de' Serafini, an artist who was active in Modena during the 14th Century. The church was reconstructed in Romanesque and Gothic styles. Now visible are some of the original frescoes depicting St. Francis Receives the Stigmata by Stefano da Verona. Andrea Mantegna's work St. Bernardino of Siena between Two Angels was originally here but it is now at the Pinacoteca di Brera in Milan, Italy. In the Cappella Gonzaga, built between 1369 and 1484, were buried: Guido Gonzaga, 2nd capitano del popolo of Mantua. Ludovico II Gonzaga, 3rd capitano del popolo of Mantua. Francesco I Gonzaga, 4th capitano del popolo of Mantua. Margherita Malatesta, second wife of Francesco I Gonzaga. Gianfrancesco Gonzaga, 5th capitano del popolo of Mantua. Rodolfo Gonzaga, son of Ludovico III, 2nd Marquis of Mantua. Francesco Cardinal Gonzaga, son of Ludovico III, 2nd Marquis of Mantua. Also at the church were buried other notables: Giovanni dalle Bande Nere, the condottiero, buried in full armor in 1526. Blessed Alberto Gonzaga in 1321. Guido Torelli, the founder of the noble family of Torelli, in 1449. Cristoforo I Torelli, son of Guido, in 1460. Francesco Secco, the condottiero who owned the family chapel, in 1496.

San Sebastiano

San Sebastiano is an Early Renaissance church in Mantua, northern Italy. Begun in 1460 according to the designs of Leon Battista Alberti, it was left partially completed in the mid 1470s, by which time construction had slowed and was no longer being directed by Alberti. As a consequence, little remains of Alberti’s work apart from the plan, which is considered one of the earliest and most significant examples of Renaissance centrally-planned churches. The plan is in the shape of a Greek cross, with three identical arms centring apses, under a central cross-vaulted space without any interior partitions. The church sits on a ground-level crypt which was intended to serve as a mausoleum for the Gonzaga family. The complete absence of columns in the façade signified for Rudolf Wittkower a decisive turning-point in Alberti's interpretation of architecture, moving beyond his statements in De Re Aedificatoria where he considered the column the most noble ornament of building. The façade concealing a narthex that runs the full width of the structure is precisely as wide as its height from the entrance level to the apex of the pediment; it may be fitted with the perfect geometry of the square. The temple front has been converted by Alberti into wall-architecture, as Wittkower noted, and a complete series of pilasters, like pillars embedded in the wall, has been elided to the two outermost, and the two flanking Pellegrino Ardizoni's clumsy doorway, which overlaps them and ill suits its space. A surviving letter of 1470 from the patron, Ludovico III Gonzaga, Marquis of Mantua, to the on-site architect agreeing with Alberti's proposal to reduce the number of pilasters on the portico illuminates Alberti's plan of 1460. The two outer staircases were added in the twentieth century; prior to 1925 old photographs show the entrance was a single stair to the quattrocento loggia appended to Alberti's design. Wittkower demonstrates that Alberti's plan comprised a set of stairs the full width of the façade leading to five doors (three of which have been filled in as dysfunctional balconies). The most unexpected motif in the façade is the central break in the entablature presented by the window opening, doubtless intended to be arch-headed under the arched entablature that joins the outer sections, a motif that Wittkower conjectured Alberti knew from the side elevations of the Roman triumphal arch at Orange.

Mantova

Mantua is a city and commune in Lombardy, Italy, and capital of the province of the same name. In 2016, Mantua is Italian Capital of Culture, as chosen by the Italian Government on Tuesday 27 October 2015. (The official opening ceremony was held on the 9th of April, 2016). In 2017, Mantua will also be European Capital of Gastronomy, included in the Eastern Lombardy District (together with the cities of Bergamo, Brescia and Cremona). In 2007, Mantua's centro storico (old town) and Sabbioneta were declared by UNESCO to be a World Heritage Site. Mantua's historic power and influence under the Gonzaga family has made it one of the main artistic, cultural, and especially musical hubs of Northern Italy and the country as a whole. Mantua is noted for its significant role in the history of opera; the city is also known for its architectural treasures and artifacts, elegant palaces, and the medieval and Renaissance cityscape. It is the place where the composer Monteverdi premiered his opera L'Orfeo and where Romeo was banished in Shakespeare's play Romeo and Juliet. It is the nearest town to the birthplace of the Roman poet Virgil, who was commemorated by a statue at the lakeside park "Piazza Virgiliana". Mantua is surrounded on three sides by artificial lakes, created during the 12th century, as the city's defence system. These lakes receive water from the Mincio River, a tributary of the Po River which descends from Lake Garda. The three lakes are called Lago Superiore, Lago di Mezzo, and Lago Inferiore ("Upper", "Middle", and "Lower" Lakes, respectively). A fourth lake, Lake Pajolo, which once served as a defensive water ring around the city, dried up at the end of the 18th century. The area and its environs are important not only in naturalistic terms, but also anthropologically and historically; research has highlighted a number of human settlements scattered between Barche di Solferino and Bande di Cavriana, Castellaro and Isolone del Mincio. These dated, without interruption, from Neolithic times (5th–4th millennium BC) to the Bronze Age (2nd–1st millennium BC) and the Gallic phases (2nd–1st centuries BC), and ended with Roman residential settlements, which could be traced to the 3rd century AD.

Stadio Danilo Martelli

Stadio Danilo Martelli is the main stadium in Mantua, Italy. It is named Danilo Martelli, a Mantuan footballer from the 1940s, who died in the Superga air disaster of 1949. It is currently used mostly for football matches and, on occasion, for concerts. It is the home of A.C. Mantova. The stadium holds 14,844 but has recently been given temporary extra seats on a metallic scaffolding for the attendance needs of Serie B. The main concrete cover was capsized by a tornado in 1977, and since then the safety of the structures has been periodically put into minor question. There have been plans to demolish it and rebuild it in a less central area of the city, while the current site was to be destined to commercial use. However, this has been recently put indefinitely off in time, due to unsolved commercial and political controversies.
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