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Calvin Auditory

The Calvin Auditorium or Calvin Auditory (French Auditoire de Calvin), originally the Notre-Dame-la-Neuve Chapel, is a chapel in Geneva, Switzerland which played a significant role in the Protestant Reformation. It is associated with John Calvin, Theodore Beza and John Knox. The auditorium lies directly adjacent to Geneva's St. Pierre Cathedral in the Place de la Taconnerie. The austere Gothic-style building was constructed in the 15th century, on the site of earlier 5th-century religious buildings, and originally dedicated to Notre-Dame-la-Neuve. From 1536, the time of Geneva's Reformation, it became a lecture hall where Calvin actively expounded his reformed theology: Bible studies were conducted here at 7:00 each morning. In 1559, it served as the original home of the University of Geneva. Once Geneva accepted the Reformation, it became a haven for Protestant refugees from all over Europe, and Calvin gave this building over for them to worship in their own language. It was also used by the Scottish reformer John Knox, during his exile in Geneva in the 1550s. Here he ministered to an English-speaking refugee congregation and developed many of the ideas that were to be influential in the Scottish Reformation. Subsequently, it became a place used by numerous Protestant refugee groups including Italian Waldensians, Dutch Reformed and Scottish Presbyterians. It is viewed by many Reformed churches throughout the world as a crucible of their faith. Over the years, the building deteriorated. In 1954, the World Alliance of Reformed Churches reached an agreement with the National Protestant Church of Geneva, and launched a programme to restore the auditorium, which was completed in 1959. Today, following in the tradition established by Calvin, the Auditoire is still used for worship in languages other than French. It hosts congregations of the Dutch Reformed Church and Italian Reformed Church, as well as being used by a congregation of the Church of Scotland as its main place of worship every Sunday.

Bâtiment des Forces motrices

The Bâtiment des Forces motrices , French for "Power plant building", is the power house of a former hydro power plant and waterworks in Geneva called Usine des Forces Motrices, later Usine des Forces Motrices de la Coulouvrenière. The structure is positioned near the point where the River Rhône flows out of Lake Geneva towards Lyon. It was created between 1883 and 1892 (and subjected to subsequent improvements) to exploit the flow of the river to provide water pressure to feed the city's water supply and a hydraulic power network. Furthermore the weir of the structure was designed to regulate the level of the lake. The structure lost its original function as a power source in 1963, but it nevertheless continued to house pumping equipment to service Geneva's drinking water supply till 1988. The weir of the power plant was used some more years till it was taken over by the Barrage du Seujet (Seujet barrage) in 1995, which is located approximately fifty meters downstream from the BFM. Towards the end of the twentieth century the BFM was converted into an entertainment venue, reopening in 1997 as an opera house / concert hall designed by the architect Bernard Picenni in association with the acoustician Peutz and the scenographer dUCKS scéno. At the time when the project was defined as a "power plant" there was no automatic correlation between a "power plant" and a public electricity supply. The idea in 1882 was to feed power in the form of pressurized water to local manufacturing businesses, who could use it to operate their own powered machinery, which might indeed include generators. Another objective involved using the pumped water to feed the reservoirs of the public drinking water supply. However, in 1887 electricity generation started in a building nearby the BFM, where generators were driven by pressurized water supplied from the BFM. The hydraulic power network needed a pressure valve to avoid the damage from excessive pressure within the network which was located beside the BFM and which was the precursor to Geneva's Jet d'Eau (fountain).

Reformation Wall

The International Monument to the Reformation, usually known as the Reformation Wall, is a monument in Geneva, Switzerland. It honours many of the main individuals, events, and documents of the Protestant Reformation by depicting them in statues and bas-reliefs. The Wall is in the grounds of the University of Geneva, which was founded by John Calvin, and was built to commemorate the 400th anniversary of Calvins birth and the 350th anniversary of the universitys establishment. It is built into the old city walls of Geneva, and the monuments location there is designed to represent the fortifications, and therefore the city of Genevas, integral importance to the Reformation. Inaugurated in 1909, it was the culmination of a contest launched to transform that part of the park. The contest, which involved 71 other proposals, received entries from across the world. The winning design was put forward by four Swiss architects: Charles Dubois, Alphonse Laverrière, Eugène Monod, and Jean Taillens . The sculptures were then created by two French sculptors: Paul Landowski and Henri Bouchard. During the Reformation, Geneva was the centre of Calvinism, and its history and heritage since the sixteenth century has been closely linked to that of Protestantism. Due to the close connections to that theology, the individuals most prominently depicted on the Wall were Calvinists; nonetheless, key figures in other theologies are also included. At the centre of the monument, four 5 m-tall statues of Calvinisms main proponents are depicted: Theodore Beza John Calvin William Farel John Knox To the left of the central statues are 3 m-tall statues of: William the Silent Gaspard de Coligny Frederick William of Brandenburg To the right are 3 m-tall statues of: Roger Williams Oliver Cromwell Stephen Bocskay Along the wall, to either side of the central statues, is engraved the motto of both the Reformation and Geneva: Post Tenebras Lux . On the central statues pedestal is engraved a Christogram: ΙΗΣ. The monument gave inspiration to one of the most important 20th century Hungarian poems, written by Gyula Illyés in 1946 under the title Before the Monument of Reformation in Geneva.

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