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Top Attractions in St Petersburg

Museum of Fine Arts

The MFA was founded by art collector and philanthropist Margaret Acheson Stuart (1896–1980). As its first president, Mrs. Stuart contributed significantly to the construction of the building and provided endowment funds through her estate to support annual operations and to maintain the beauty of the grounds. She also provided monies to acquire art and donated works from her collection. The Margaret Acheson Stuart Society, the Museum’s independent support organization, is named in her honor. The city provided the four-acre waterfront site for the construction of the original building and The Junior League of St. Petersburg offered resources for The Great Hall. The building was designed by John Volk and Associates of Palm Beach, with a curving colonnade on Beach Drive that embraces the community. Chartered by the State of Florida in 1961, The MFA opened its Beach Drive doors to the public in 1965–the first art museum in St. Petersburg. The building is an architectural landmark on the downtown waterfront. The Marly Room, an auditorium seating 220, and a sculpture garden, both made possible by Mrs. Stuart, were added to the building in 1974. Moreover, the late President of the Board Charles W. Mackey (Mrs. Stuart’s nephew and trustee Fay Mackey’s father) led a successful effort to double the galleries from ten to twenty and to construct a second floor for administrative offices, a classroom, and a library by 1989. The addition was designed by Harvard, Jolly, Marcet & Associates. A $21 million expansion broke ground on Monday, December 4, 2006 and more than doubled the size of the museum. The new 33,000 square-foot Hazel Hough wing, on the north side of the building, was finished in 2008. The expansion included a new cafe, an enlarged library and a bigger museum shop. The Hazel Hough Wing, designed by Yann Weymouth and Hellmuth, Obata + Kassabaum (HOK), opened to the public March 22 and 23, 2008. At approximately 39,000 square feet, the wing more than doubled the Museum’s space. The two-story glass Mary Alice McClendon Conservatory is now a centerpiece. It provides a community gathering place and has opened up the MFA to its spectacular setting. The second-floor Carol Upham Bridge connects the original building to the Mary and Fred Shuh Lobby and the wing. The MFA Café in the Conservatory and on the terrace provides a wonderful view of the bay. The Museum Store has been named the area’s best by the duPont Registry. Special exhibitions are now presented mainly in the Hazel Hough Wing, with a second-floor gallery devoted to photography and works on paper. In 2013, the original galleries, The Junior League Great Hall, and the Marly Room were renovated and completely transformed under the direction of design advisor Jeff Daly. The Cyrus Fay Mackey and Howard Acheson Galleries adjacent to The Great Hall now display wood floors, as does the Gary and Gail Damkoehler Gallery leading to the Conservatory. Color was added throughout and augmented lighting was put in place. Windows facing Beach Drive were replaced with energy-efficient, storm-rated glass, encouraging visitors to look inside, day and night. In the Marly Room, a striking arched window at the back of the stage was reopened. Restoration of this architectural highlight, in conjunction with the adjacent membership and sculpture gardens, opens up the Museum even more to its lush, tropical setting. The renovation project paved the way for the Museum’s 50th anniversary in 2015, and allowed the MFA’s treasures to be presented in fresh, imaginative ways. Rarely seen works came out of storage and joined audience favorites. In 2017, the exterior of the building as well as the collection galleries were re-lit with LED lighting, and a reinstallation of European paintings in the Mackey Gallery transformed one of the most popular galleries at the Museum. Throughout its history, six talented directors have led the Museum: Rexford Stead, Lee Malone, Michael Milkovich, John Schloder, Kent Lydecker, and the current Executive Director, Kristen A. Shepherd. Ms. Shepherd is the youngest and the first female Executive Director of the Museum.

Williams Park

Williams Park is a park located in St. Petersburg, Florida. It is the city's first park and encompasses an entire city block between 4th and 3rd Streets North and between 2nd and 1st Avenues North. Founded in 1888 and originally named "City Park," it was changed to Williams Park in honor of the founder of St. Petersburg, John Constantine Williams Sr.. The park is the center of the downtown business district and has been the venue for numerous political and civic rallies and celebrations for more than one hundred years. In 1964, Richard Nixon used the bandstand to speak to a large group gathered in the park on behalf of then presidential candidate Barry Goldwater. Many downtown workers flock to the park in good weather for picnics during their lunch breaks. At one time, the park was surrounded by prestigious department and retail stores. In the past 25 years, most of them have moved away to malls and other areas away from the city center. The bandstand plays a prominent role in the park and one has been there since 1894. The modern bandstand in the park was designed in 1954 by St. Petersburg architect William B. Harvard, whose work also includes the St. Petersburg Pier. In 1955 it was the recipient of the Award of Merit from the American Institute of Architects. It is used for outdoor concerts during the noon hour and on weekends, but for groups which tend to attract smaller crowds. Williams Park is now a major bus transfer point for the PSTA bus line. Williams Park is also known as the city's homeless park. Local residents, college students and shoppers no longer stroll the sidewalks or lounge on the landscaped lawn. Ongoing drug sweeps and police activity are now the features that mar this once prominent gathering place.

Mirror Lake Library

The St. Petersburg Public Library (also known as the Mirror Lake Community Library or Carnegie Library) is a Carnegie library built in 1915 in Beaux-Arts style. It was one of 10 Florida Carnegie libraries to receive grants awarded by the Carnegie Corporation of New York from 1901 to 1917. Steel magnate and philanthropist Andrew Carnegie provided funding for more than 3,000 Carnegie libraries in the United States, Canada, and Europe. The library is significant to the city's history as the first permanent home of the public library system and embodies the transformation of the city in the second decade of the twentieth century from a pioneer village to a city with viable cultural institutions. When the city was awarded the $17,500 grant in 1913, it was the culmination of a five-year pursuit by Councilman Ralph Veillard, W.L. Straub, owner of the St. Petersburg Times'm, and Annie McCrae, who became the first secretary of the library. The grant was approved by the city, and the site on the banks of the city Reservoir (now Mirror Lake) was chosen on July 17, 1914. The Mirror Lake Community Library is built in the Beaux-Arts style, with sculptural decoration along conservative modern lines, slightly overscaled details, bold sculptural supporting consoles, rich deep cornices, swags and sculptural enrichments. The Beaux- Arts style heavily influenced the architecture of the United States in the period from 1880 to 1920. The building's architect, Henry D. Whitfield worked for the Carnegie Corporation and designed this library, as well as many other Carnegie libraries in this style. The Junior League presented the city with their first Bookmobile in February 1949. On June 13, 1986, it was added to the U.S. National Register of Historic Places. Mirror Lake Community Library was St. Petersburg’s only library until the current Main library was built at 3745 9th Avenue in 1964.

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