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Top Attractions in Rome

Roman Forum

The Roman Forum is a rectangular forum surrounded by the ruins of several important ancient government buildings at the center of the city of Rome. Citizens of the ancient city referred to this space, originally a marketplace, as the Forum Magnum, or simply the Forum. It was for centuries the center of Roman public life: the site of triumphal processions and elections; the venue for public speeches, criminal trials, and gladiatorial matches; and the nucleus of commercial affairs. Here statues and monuments commemorated the citys great men. The teeming heart of ancient Rome, it has been called the most celebrated meeting place in the world, and in all history. Located in the small valley between the Palatine and Capitoline Hills, the Forum today is a sprawling ruin of architectural fragments and intermittent archaeological excavations attracting 4.5 million sightseers yearly. Many of the oldest and most important structures of the ancient city were located on or near the Forum. The Roman kingdoms earliest shrines and temples were located on the southeastern edge. These included the ancient former royal residence, the Regia, and the Temple of Vesta, as well as the surrounding complex of the Vestal Virgins, all of which were rebuilt after the rise of imperial Rome. Other archaic shrines to the northwest, such as the Umbilicus Urbis and the Vulcanal, developed into the Republics formal Comitium . This is where the Senate—as well as Republican government itself—began. The Senate House, government offices, tribunals, temples, memorials and statues gradually cluttered the area. Over time the archaic Comitium was replaced by the larger adjacent Forum and the focus of judicial activity moved to the new Basilica Aemilia . Some 130 years later, Julius Caesar built the Basilica Julia, along with the new Curia Julia, refocusing both the judicial offices and the Senate itself. This new Forum, in what proved to be its final form, then served as a revitalized city square where the people of Rome could gather for commercial, political, judicial and religious pursuits in ever greater numbers. Eventually much economic and judicial business would transfer away from the Forum Romanum to the larger and more extravagant structures to the north. The reign of Constantine the Great, during which the Empire was divided into its Eastern and Western halves, saw the construction of the last major expansion of the Forum complex—the Basilica of Maxentius . This returned the political center to the Forum until the fall of the Western Roman Empire almost two centuries later.

Pantheon

The Pantheon is a building in Rome, Italy, on the site of an earlier building commissioned by Marcus Agrippa during the reign of Augustus . The present building was completed by the emperor Hadrian and probably dedicated about 126 AD. He retained Agrippas original inscription, which has confused its date of construction. The building is circular with a portico of large granite Corinthian columns under a pediment. A rectangular vestibule links the porch to the rotunda, which is under a coffered concrete dome, with a central opening to the sky. Almost two thousand years after it was built, the Pantheons dome is still the worlds largest unreinforced concrete dome. The height to the oculus and the diameter of the interior circle are the same, 43.3 metres . It is one of the best-preserved of all Ancient Roman buildings. It has been in continuous use throughout its history, and since the 7th century, the Pantheon has been used as a church dedicated to "St. Mary and the Martyrs" but informally known as "Santa Maria Rotonda". The square in front of the Pantheon is called Piazza della Rotonda.

Piazza Venezia

Piazza Venezia is the central hub of Rome, Italy, in which several thoroughfares intersect, including the Via dei Fori Imperiali and the Via del Corso. It takes its name from the Palazzo Venezia, built by the Venetian Cardinal, Pietro Barbo alongside the church of Saint Mark, the patron saint of Venice. The Palazzo Venezia served as the embassy of the Republic of Venice in Rome. One side of the Piazza is the site of Italys Tomb of the Unknown Soldier in the Altare della Patria, part of the imposing Monument to Vittorio Emanuele II, first king of Italy. The piazza or square is at the foot of the Capitoline Hill and next to Trajans Forum. The main artery, the Viale di Fori Imperiali begins there and leads past the Roman Forum to the Colosseum. In 2009, during excavations in the middle of the square for the construction of the Rome C Metro Line, remains of the emperor Hadrians Athenaeum were unearthed.

Archbasilica of St. John Lateran

The Papal Archbasilica of St. John in the Lateran, commonly known as St. John Lateran Archbasilica, St. John Lateran Basilica, St. John Lateran, or just The Lateran Basilica, is the cathedral church of the Diocese of Rome and the official ecclesiastical seat of the Bishop of Rome, who is the Pope. It is the oldest and ranks first among the five Papal Basilicas of the world and the four Major Basilicas of Rome, being the oldest church in the West and having the Cathedra of the Bishop of Rome. It has the title of ecumenical mother church among Roman Catholics. The current archpriest is Agostino Vallini, Cardinal Vicar General for the Diocese of Rome. The President of the French Republic, currently François Hollande, is ex officio the "first and only honorary canon" of the Archbasilica, a title held by the heads of state of France since King Henry IV. The large inscription on the façade reads in Latin: Clemens XII Pont Max Anno V Christo Salvatori In Hon SS Ioan Bapt et Evang; which a highly abbreviated inscription translated as "Pope Clement XII, in the fifth year of his reign, dedicated this building to Christ the Savior, in honor of Saints John the Baptist and John the Evangelist". This is because the Archbasilica, as indicated by its full title was originally dedicated to Christ the Savior, with the co-dedications to the two St. Johns being made centuries later. As the cathedral of the Bishop of Rome, it ranks above all other churches in the Catholic Church, including St. Peters Basilica. For that reason, unlike all other Catholic basilicas, it is titled Archbasilica. The Archbasilica is located within the City of Rome but is outside the boundaries of Vatican City proper, which is located approximately 4 km to the northwest, in another part of Rome. While the Archbasilica and its adjoining buildings enjoy extraterritorial status as one of the properties of the Holy See pursuant to the Lateran Treaty of 1929, the Archbasilica is within Italian territory and not that of the Vatican City State.

Basilica di Santa Maria Maggiore

The Basilica di Santa Maria Maggiore, or church of Santa Maria Maggiore, is a Papal major basilica and the largest Catholic Marian church in Rome, Italy, from whence size it receives the appellation "major". The Basilica is located at 34 Piazza del Esquilino, some five blocks southwest of Stazione Termini. Other churches in Rome dedicated to Mary include Santa Maria in Trastevere, Santa Maria in Aracoeli, and Santa Maria sopra Minerva, but the greater size of the Basilica of Saint Mary Major justifies the adjective by which it is distinguished from the other 25. Pursuant to the Lateran Treaty of 1929 between the Holy See and Italy, the Basilica is within Italian territory and not the territory of the Vatican City State. However, the Holy See fully owns the Basilica, and Italy is legally obligated to recognize its full ownership thereof and to concede to it "the immunity granted by International Law to the headquarters of the diplomatic agents of foreign States".

Santa Maria sopra Minerva

Santa Maria sopra Minerva is one of the major churches of the Roman Catholic Order of Preachers at Rome, Italy. The church's name derives from the fact that the first Christian church structure on the site was built directly over the ruins or foundations of a temple dedicated to the Egyptian goddess Isis, which had been erroneously ascribed to the Greco-Roman goddess Minerva. The church is located in Piazza della Minerva one block behind the Pantheon in the Pigna rione of Rome within the ancient district known as the Campus Martius. The present church and disposition of surrounding structures is visible in a detail from the Nolli Map of 1748. While many other medieval churches in Rome have been given Baroque makeovers that cover Gothic structures, the Minerva is the only extant example of original Gothic church building in Rome. Behind a restrained Renaissance style façade the Gothic interior features arched vaulting that was painted blue with gilded stars and trimmed with brilliant red ribbing in a 19th-century Neo-Gothic restoration. The church and adjoining convent served at various times throughout its history as the Dominican Order's headquarters. Today the headquarters have been re-established in their original location at the Roman convent of Santa Sabina. The current Cardinal Priest of the Titulus Sanctae Mariae supra Minervam has been Cormac Murphy-O'Connor since 2001, when he was Archbishop of Westminster, the senior position in the English Catholic church, from which he has since retired.

Curia Hostilia

The Curia Hostilia was one of the original senate houses or "curia" of the Roman Republic. It is believed to have begun as a temple where the warring tribes laid down their arms during the reign of Romulus . During the early monarchy, the temple was used by senators acting as council to the king. Tullus Hostilius is believed to have replaced the original structure after fire destroyed the converted temple. It may have held historic significance as the location of an Etruscan mundus and altar. The Lapis Niger, a series of large black marble slabs, was placed over the altar where a series of monuments was found opposite the Rostra. This curia was enlarged in 80 BC by Lucius Cornelius Sulla during his renovations of the comitium. The building burned down in 53 BC when the supporters of the murdered Publius Clodius Pulcher used it as a pyre to cremate his body.

Lapis Niger

The Lapis Niger is an ancient shrine in the Roman Forum. Together with the associated Vulcanal it constitutes the only surviving remnants of the old Comitium, an early assembly area that preceded the Forum and is thought to derive from an archaic cult site of the 7th or 8th century BC. The black marble paving and modern concrete enclosure of the Lapis Niger overlie an ancient tomb or altar and a stone block with one of the earliest known Latin inscriptions . The superstructure monument and shrine may have been built by Julius Caesar during his reorganization of the Forum and Comitium space. Alternatively, this may have been done a generation earlier by Sulla during one his construction projects around the Curia Hostilia. The site was rediscovered and excavated from 1899 to 1905 by Italian archaeologist Giacomo Boni. Mentioned in many ancient descriptions of the Forum dating back to the Roman Republic and the early days of the Roman Empire, the significance of the Lapis Niger shrine was obscure and mysterious even to later Romans, but it was always discussed as a place of great sacredness and significance. It is constructed on top of a sacred spot consisting of much older artifacts found about 5 ft below the present ground level. The name "black stone" may have originally referred to the black stone block or it may refer to the later black marble paving at the surface. Located in the Comitium in front of the Curia Julia, this structure survived for centuries due to a combination of reverential treatment and overbuilding during the era of the early Roman Empire.

Ara Pacis

The Ara Pacis Augustae is an altar in Rome dedicated to Pax, the Roman goddess of Peace. The monument was commissioned by the Roman Senate on July 4, 13 BC to honor the return of Augustus to Rome after three years in Hispania and Gaul, and consecrated on January 30, 9 BC. The altar reflects the Augustan vision of Roman civil religion. It consists of a traditional open-air altar at its center surrounded by precinct walls which are pierced on the eastern and western ends by openings. The Ara Pacis is perhaps best known for the decoration on the exterior of the precinct walls composed of two tiers of friezes. On the north and south, the upper register depicts the procession of members of the Imperial household and the larger regime, while on the east and west, panels depict allegorical themes of peace and Roman civic ritual. The lower register of the frieze depicts vegetal work meant to communicate the abundance and prosperity of the Roman Peace . The monument as a whole serves a civic ritual function whilst simultaneous operating as propaganda for Augustus and his regime, easing notions of autocracy and dynastic succession that might otherwise be unpalatable to traditional Roman culture. The Altar was originally located on the northern outskirts of Rome, a Roman mile from the boundary of the pomerium on the west side of the Via Flaminia. It stood in the northeastern corner of the Campus Martius, the former flood plain of the Tiber River which was developed by Augustus into a complex of monuments. In succeeding centuries, the monument gradually became buried under four meters of silt deposits. Although parts of it were recovered and restored—with limited accuracy—as early as the Renaissance, the vast majority of the Ara Pacis was recovered in the twentieth century. It was reassembled in its current location in 1938.

Arch of Augustus

The Arch of Augustus was the triumphal arch of Augustus, located in the Roman Forum. It spanned the road between the Temple of Castor and Pollux and the Temple of Caesar, near the Temple of Vesta. Built in 20 BC, it commemorated the return of the Parthian standards and replaced the earlier Arch of Octavian built on the same spot in 29 BC, to commemorate the Battle of Actium against Mark Antony and Cleopatra. An inscription was found in the same location in 1546 AD, with a dedication to Augustus, so the identification of the arch is certain even though very little remains of the arch itself. Its appearance is known from Augustan coins. It had three passageways, the first such arch in Rome, and served as a model for the Arch of Septimius Severus, which was the model for the Arch of Constantine.

Basilica Julia

The Basilica Julia was a structure that once stood in the Roman Forum. It was a large, ornate, public building used for meetings and other official business during the early Roman Empire. Its ruins have been excavated. What is left from its classical period are mostly foundations, floors, a small back corner wall with a few arches that are part of both the original building and later Imperial reconstructions and a single column from its first building phase. The Basilica Julia was built on the site of the earlier Basilica Sempronia along the south side of the Forum, opposite the Basilica Aemilia. It was initially dedicated in 46 BC by Julius Caesar, with building costs paid from the spoils of the Gallic War, and was completed by Augustus, who named the building after his adoptive father.

Baths of Agrippa

The Baths of Agrippa were a structure of ancient Rome, built by Marcus Vipsanius Agrippa, the first of the great thermae constructed in the city. In their first form, constructed at the same time as the first Pantheon and on axis with it, as a balaneion, they were apparently a hot-air bath with a cold plunge, not unlike a sauna. With the completion of the Aqua Virgo, the aqueduct completed by Agrippa in 19 BC, the baths were supplied with water and became regular thermae, with a large ornamental pool attached. Agrippa furnished his baths with decorations that may have been executed in glazed tiles and with works of art: the Apoxyomenos of Lysippus stood outside. He left the baths to the citizens of Rome at his death, 12 BC. The Baths of Agrippa were damaged by fire in AD 80, but were restored and enlarged; they were thronged in the times of Martial, and enlarged under Hadrian and later emperors. Sidonius Apollonaris mentions that the Baths of Agrippa were still being used in the fifth century. In the seventh century the structure was being mined for its building materials, but much of the Baths were still standing in the sixteenth century, when the ruins were drawn by Baldassare Peruzzi and Andrea Palladio, among others.

Curia Julia

Curia Julia is the third named Curia, or Senate House, in the ancient city of Rome. It was built in 44 BC when Julius Caesar replaced Faustus Cornelius Sulla’s reconstructed Curia Cornelia, which itself had replaced the Curia Hostilia. Caesar did this in order to redesign both spaces within the Comitium and Forum Romanum. The alterations within the Comitium reduced the prominence of the senate and cleared the original space. The work, however, was interrupted by Caesars assassination at the Theatre of Pompey where the Senate had been meeting temporarily while the work was completed. The project was eventually finished by Caesar’s successor Augustus in 29 BC. The Curia Julia is one of only a handful of Roman structures to survive to the modern day mostly intact, due to its conversion into the basilica of SantAdriano al Foro in the 7th century and several later restorations. However the roof, together with the upper elevations of the side walls and rear façade, are modern. These parts date from the remodelling of the deconsecrated church in the 1930s.

Mausoleum of Augustus

The Mausoleum of Augustus is a large tomb built by the Roman Emperor Augustus in 28 BC on the Campus Martius in Rome, Italy. The mausoleum is located on the Piazza Augusto Imperatore, near the corner with Via di Ripetta as it runs along the Tiber. The grounds cover an area equivalent to a few city blocks, and nestle between the church of San Carlo al Corso and that Museum of the Ara Pacis. The interior of the mausoleum is no longer open to tourists, as looting, time, and neglect have stripped the ruins of marbled elegance. Even as ruins, it is a dominating landmark on the northern side of the Campus Martius. The mausoleum was one of the first projects initiated by Augustus in the city of Rome following his victory at the Battle of Actium in 31 BC. The mausoleum was circular in plan, consisting of several concentric rings of earth and brick, planted with cypresses on top of the building and capped by a conical roof and a statue of Augustus. Vaults held up the roof and opened up the burial spaces below. Twin pink granite obelisks flanked the arched entryway; these now stand, one at the Piazza dellEsquilino and other at the Quirinal fountain. The completed mausoleum measured 90 m in diameter by 42 m in height. A corridor ran from the entryway into the heart of the mausoleum, where there was a chamber with three niches to hold the golden urns enshrining the ashes of the Imperial Family. Remains buried inside the mausoleum before Augustus include those of Marcus Claudius Marcellus, Marcus Agrippa in 12 BC, Nero Claudius Drusus in 9 BC, Octavia Minor in 9 or 11 BC, Gaius and Lucius, grandsons and heirs of Augustus. After the emperor himself, the mausoleum hosted the ashes of Livia, Germanicus, Agrippina the Elder, Agrippinas daughter Julia Livilla, Nero, Drusus Caesar, Caligula, Tiberius, Drusus Julius Caesar, Nero Claudius Drusus and Antonia Minor, Claudius, Britannicus, the embalmed body of Poppaea Sabina wife of Nero, Julia Domna, and Nerva, the last emperor for whom the mausoleum was opened. The traditional story is that in 410, during the sack of Rome by Alaric, the pillaging Visigoths rifled the vaults, stole the urns and scattered the ashes, without damaging the structure of the building . LacusCurtius claims however that "The story of its plundering by Alaric in 410 has no historical foundation, and we know nothing of its destruction". In the Middle Ages the artificial tumulus was fortified as a castle— as was the mausoleum of Hadrian, which was turned into the Castel SantAngelo— and occupied by the Colonna family. After the disastrous defeat of the Commune of Rome at the hands of the Count of Tusculum in 1167, the Colonna were disgraced and banished, and their fortification in the Campo was dismantled. Thus it became a ruin. It was not until the 1930s that the site was opened as a preserved archaeological landmark along with the newly moved and reconstructed Ara Pacis nearby. The restoration of the Mausoleum of Augustus to a place of prominence featured in Benito Mussolinis ambitious reordering of the city of Rome which strove to connect the aspirations of Italian Fascism with the former glories of the Roman Empire. Mussolini viewed himself especially connected to the achievements of Augustus, seeing himself as a reborn Augustus ready to usher in a new age of Italian dominance.

Porticus Octaviae

Not to be confused with the Porticus Octavia. The Porticus Octaviae is an ancient structure in Rome. The structure was built by Augustus in the name of his sister, Octavia Minor, sometime after 27 BC, in place of the Porticus Metelli. The colonnaded walks of the portico enclosed the temples of Jupiter Stator and Juno Regina, next to the Theater of Marcellus. It burned in 80 AD and was restored, probably by Domitian, and again after a second fire in 203 AD by Septimius Severus and Caracalla. It was adorned with foreign marble and contained many famous works of art, enumerated in Plinys Natural History. The structure was damaged by an earthquake in 442 AD, when two of the destroyed columns were replaced with an archway which still stands. The church of SantAngelo in Pescheria was built in the ruins circa 770 AD. Besides the pre-existing temples, the enclosure included a library erected by Octavia in memory of her son Marcus Claudius Marcellus, the curia Octaviae, and a schola. Whether these were different parts of one building, or entirely different structures, is uncertain. It was probably in the curia that the senate is recorded as meeting. The whole is referred to by Pliny the Elder as Octaviae opera. The portico was used as a fish market from the medieval period, and up to the end of 19th century. This role is remembered in the name of the annexed church of SantAngelo in Pescheria . The building, which lies in rione SantAngelo, represents the center of the Roman Ghetto.

Temple of Portunus

The Temple of Portunus is an ancient building in Rome, Italy, the main temple dedicated to the god Portunus in the city. It is in the Ionic order and is still more familiar by its erroneous designation, the Temple of Fortuna Virilis given it by antiquaries. Located in the ancient Forum Boarium by the Tiber, during Antiquity the site overlooked the Port Tiberinus at a sharp bend in the river; from here, Portunus watched over cattle-barges as they entered the city from Ostia. Dating from the first century BC, the rectangular building consists of a tetrastyle portico and cella, raised on a high podium reached by a flight of steps, which it retains. Like the Maison Carrée in Nîmes, it has a pronaos portico of four Ionic columns across and two columns deep. The columns of the portico are free-standing, while the remaining five columns on the long sides and the four columns at the rear are engaged along the walls of the cella. This form is sometimes called pseudoperipteral, as distinct from a true peripteral temple like the Parthenon entirely surrounded by free-standing columns. It is built of tuff and travertine with a stucco surface. The temple owes its state of preservation from its being converted to use as a church in 872 and rededicated to Santa Maria Egyziaca . Its Ionic order has been much admired, drawn and engraved and copied since the 16th century . The original coating of stucco over its tufa and travertine construction has been lost. The circular Temple of Hercules Victor is located south-east to the temple in the Forum Boarium. The 18th-century Temple of Harmony in Somerset, England is a folly based on the Temple of Portunus.

Theatre of Balbus

Theatre of Balbus was an ancient Roman structure in the Campus Martius of Rome. It was built in 13 BC by proconsul Lucius Cornelius Balbus, likely from the spoils of a military campaign by order of Augustus 36.59-60). Very little is mentioned of the theatre in ancient writings. Its location was debated for decades until pieces of the Forma Urbis were finally pieced together in the 1960s. Excavations of the theatre began in 1981 and are still ongoing, however, the main portion of the crypta finished in 2000. Today what has been excavated can be seen at the Museo Nazionale Romano Crypta Balbi, which is located at Via delle Botteghe Oscure, 31, . The museum is located in what was the crypta or courtyard in the rear of the theaters complex behind the stage. This courtyard was the smallest of all of Romes major theatres. Here patrons would stroll between acts of a performance and seek refreshment.

Theatre of Marcellus

The Theatre of Marcellus is an ancient open-air theatre in Rome, Italy, built in the closing years of the Roman Republic. At the theatre, locals and visitors alike were able to watch performances of drama and song. Today its ancient edifice in the rione of SantAngelo, Rome, once again provides one of the citys many popular spectacles or tourist sites. It was named after Marcus Marcellus, Emperor Augustuss nephew, who died five years before its completion. Space for the theatre was cleared by Julius Caesar, who was murdered before its construction could begin; the theatre was so far advanced by 17 BC that part of the celebration of the ludi saeculares took place within the theatre; it was completed in 13 BC and formally inaugurated in 12 BC by Augustus. The theatre was 111 m in diameter and was the largest and most important theatre in Ancient Rome; it could originally hold between 11,000 and 20,000 spectators. It was an impressive example of what was to become one of the most pervasive urban architectural forms of the Roman world. The theatre was built mainly of tuff, and concrete faced with stones in the pattern known as opus reticulatum, completely sheathed in white travertine. The network of arches, corridors, tunnels and ramps that gave access to the interiors of such Roman theaters were normally ornamented with a screen of engaged columns in Greek orders: Doric at the base, Ionic in the middle. It is believed that Corinthian columns were used for the upper level but this is uncertain as the theater was reconstructed in the Middle Ages, removing the top tier of seating and the columns. Like other Roman theaters in suitable locations, it had openings through which the natural setting could be seen, in this case the Tiber Island to the southwest. The permanent setting, the scaena, also rose to the top of the cavea as in other Roman theaters. The theatre fell out of use in the early 4th century and the structure served as quarry for e.g. the Pons Cestius in 370 AD. However, the statues located inside the building were restored by Petronius Maximus in 421 and the remaining structure still housed small residential buildings. In the Early Middle Ages the theatre was used as a fortress of the Fabii and then at the end of the 11th century, by Pier Leoni and later his heirs . This saved the complex from further destruction. The Savelli held it in the 13th century. Later, in the 16th century, the residence of the Orsini, designed by Baldassare Peruzzi, was built atop the ruins of the ancient theatre. Now the upper portion is divided into multiple apartments, and its surroundings are used as a venue for small summer concerts; the Portico dOttavia lies to the north west leading to the Roman Ghetto and the Tiber to the south west. In the 17th century, the renowned English architect Sir Christopher Wren explicitly acknowledged that his design for the Sheldonian Theatre in Oxford was influenced by Serlios engraving of the Theatre of Marcellus.

Theatre of Pompey

The Theatre of Pompey was a structure in Ancient Rome built during the later part of the Roman Republican era. It was completed in seven years, and was dedicated early in 55 BC before the structure was fully completed. It was one of the first permanent theatres in Rome. The building itself was a part of a multi-use complex that included a large quadriporticus directly behind the scaenae frons. Enclosed by the large columned porticos was an expansive garden complex of fountains and statues. Along the stretch of covered arcade were rooms dedicated to the exposition of art and other works collected by Pompey Magnus during his campaigns. On the opposite end of the garden complex was a curia for political meetings. The senate would often use this building along with a number of temples and halls that satisfied the requirements for their formal meetings. This is infamous as the place of Julius Caesars murder by the Liberatores of the Roman Senate and elite.
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    Enter a title, description and location for the tour
  2. Add existing attractions OR create new ones and add them to the tour
  3. For existing attractions you can add more information specific to the theme of the tour
  4. You can also add instructions on what to do or see en-route to the next tour-stop
  5. Try out your tour and see how it works...

Mystery Tour

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Create a Mystery Tour

Create a series of clues to show people around a city, neighborhood or whatever place you like...

  • GuRoute will show people clues to get them from attraction to attraction
  • When they reach each stop GuRoute will tell them about the place and give them the next clue
  • Take as long or as you like and explore each location at your leisure

Scavenger Hunt

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Create a Scavenger Hunt

Create a series of questions that people have to answer. The answers can all be discovered by walking aroung the area, looking for clues.

  • How many beers are on tap at Michael Collin's Irish Bar?
  • What's the name of the oldest building on main streeet?
  • Show a picture of some public art and ask them what it is called
  • Clues can have numeric or multiple choice answers