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Top Attractions in Carlton

Melbourne Museum

Melbourne Museum is a natural and cultural history museum located in the Carlton Gardens in Melbourne, Australia, adjacent to the Royal Exhibition Building. It was designed by Denton Corker Marshall Architects and finished construction in 2001. Situated in the Carlton Gardens, it was commissioned by the Victorian Government Office of Major Projects on behalf of Museums Victoria. The museum is a rich response to Melbourne’s urban condition, and provides a place for education, history, culture and society to engage with each other in a contemporary setting. It is now an important part of Melbourne’s soft infrastructure. It is the largest museum in the Southern Hemisphere, and is a venue of Museum Victoria, which also operates the Immigration Museum and Scienceworks Museum. The museum has seven main galleries, a Childrens Gallery and a temporary exhibit gallery on three levels, Upper, Ground and Lower Level and was constructed by Baulderstone Hornibrook. The Touring Hall is where temporary exhibits are displayed. Past exhibits include mummies from Egypt and dinosaurs from China. The Big Box is part of the Childrens Gallery. In addition, the museum has other facilities such as the Sidney Myer Amphitheatre and The Age Theatre. The Discovery Centre, on the Lower Level, is a free public research centre. The museum also has a cafe and a souvenir shop. The IMAX Theatre, which is situated on the Lower Level is also part of the museum complex. It shows movies, usually documentary films, in 3-D format.

La Mama Theatre

La Mama Theatre is nationally and internationally acknowledged as a crucible for cutting edge, contemporary theatre since 1967. Valued by artists and audiences alike, La Mama is treasured for its continued advocacy of those seeking to explore beyond mainstream theatre. As a not-for-profit association, La Mama is producing work by theatre makers of all backgrounds and encouraging works that deconstruct and critique form, content and social issues. Described by its founder Betty Burstall as “essentially a playwright’s theatre, a place where new ideas, new ways of expression can be tried out, a place were you can hear what people are thinking and feeling”, La Mama is the home of alternative and experimental local theatre. The theatre, an initiative of founder Betty Burstall, was inspired by the "off-off-Broadway" theatre scene in New York City. Betty and her husband, film maker Tim Burstall, had just returned from a trip to New York and wanted to re-create the vibrancy and immediacy of the small theatres there. La Mama was modelled after the similarly named New York venue La MaMa Experimental Theatre Club. "I got the idea for La Mama when we went to New York in the sixties. We were poor. It was impossible to go to the theatre – even to see a film was expensive – but there were these places where you paid fifty cents for a cup of coffee and you saw a performance, and if you felt like it you put some money in a hat for the actors. I saw some awful stuff and some good stuff. It was very immediate and exciting and when I came back to Melbourne I wanted to keep going, but there didnt exist such a place. So I talked around a bit, to a few actors and writers and directors, sounding them out about doing their own stuff, Australian stuff, for nothing ... I decided on Carlton because in 1967 it was a lively, tatty area with an Italian atmosphere and plenty of students ..." At a time when the production of Australian plays was almost non-existent, La Mamas non-for-profit organisation provided the venue for the performance of new experimental Australian theatre works. Today, La Mama’s model of giving artists upfront funding to present work in a rent-free venue, with 80% box-office return, is unique in Australia. This model supports a high artistic risk/low financial risk proposition for artists and encourages a high volume of activity. In addition access to rehearsal and meeting space, administrative, marketing and technical support and ticketing means for artists, lack of money and infrastructure is no barrier. The simple two storey brick building was built originally as a printing works for AR Ford in 1883, and after serving various industrial purposes it was leased in 1967 for use as a small theatre to nurture new Australian drama. Designed by Carlton architect George S Clarke, it faced a right-of-way off University Street, which is south of and parallel to Faraday Street. The land in front of the Theatre is currently used as a forecourt for the community and affords a view of the Theatre from Faraday Street. See more at: http://vhd.heritagecouncil.vic.gov.au/places/5446#sthash.yGRZAHpT.dpuf See more at: http://vhd.heritagecouncil.vic.gov.au/places/5446#sthash.yGRZAHpT.dpuf The first play performed at La Mama was a work by a new Australian writer Jack Hibberd, entitled Three Old Friends, whose most successful play Dimboola opened there in 1969. The production of Australian works at La Mama soon became a staple, and within the first two years of its life twenty-five new Australian plays had premiered there. La Mama Theatre operates today under the direction of Liz Jones, who took over the theatre as its artistic director in 1976. La Mama also nurtured new works by composers, poets, and filmmakers. The opening of the alternative theatre provided a home base for many important figures in theatre and film including Hibberd and Alex Buzo. It was also regularly used by underground performance troupe Tribe . The theatres house troupe, the La Mama Group, established by actor-director Graeme Blundell evolved into the Australian Performing Group. La Mamas foundation marked the beginning of the emergence of a distinctly Australian style of theatre. La Mama facilitates the development of people, providing opportunities, pathways and creative empowerment on an incomparable scale. Emerging artists see La Mama as an entry point to the industry, established artists return to La Mama for the unparalleled freedom and artists and audiences from around Australia and the world come to be part of the iconic institution. The theatre is also socially important in having challenged political and cultural life in Australia by laying bare the issues, myths and mores of society with Australian settings, narratives and most importantly, vernacular. It embarked on a crusade against Australian censorship laws and produced a number of shows specifically attempting to taunt local officials with explicit public performances which were rich, relevant and ribald. The La Mama Theatre is a significant cultural institution of contemporary Australian theatre and is symbolic of the cosmopolitan character of Carlton, which is recognised nationally. La Mama’s list of Alumni reads like the who’s who of Australian theatre including such greats as David Williamson, Cate Blanchett, Jack Hibberd, Graeme Blundell, Judith Lucy and Julia Zemiro. La Mama is proud to play a crucial role in fostering the distinguished careers of so many established and emerging Australian artists. In recent years, La Mama artists such as The Rabble, Daniel Schlusser and Nicola Gunn have gone on to perform at the Melbourne International Festival and MTC’s NEON Festival of Independent Theatre. La Mama veteran Jack Charles continues to work across the country, and in 2013 La Mama regular Ben Grant was touring internationally with Robert Lapage.

Carlton Gardens

The Carlton Gardens is a World Heritage Site located on the northeastern edge of the Central Business District in the suburb of Carlton, in Melbourne, Victoria, Australia. The 26 hectare site contains the Royal Exhibition Building, Melbourne Museum and Imax Cinema, tennis courts and an award winning childrens playground. The rectangular site is bound by Victoria Street, Rathdowne Street, Carlton Street, and Nicholson Street. From the Exhibition building the gardens gently slope down to the southwest and northeast. According to the World Heritage listing the Royal Exhibition Buildings and Carlton Gardens are "of historical, architectural, aesthetic, social and scientific significance to the State of Victoria." The gardens are an outstanding example of Victorian landscape design with sweeping lawns and varied European and Australian tree plantings consisting of deciduous English oaks, White Poplar, Plane trees, Elms, Conifers, Cedars, Turkey Oaks, Araucarias and evergreens such as Moreton Bay Figs, combined with flower beds of annuals and shrubs. A network of tree lined paths provide formal avenues for highlighting the fountains and architecture of the Exhibition building. This includes the grand allee of plane trees that lead to the exhibition building. Two small ornamental lakes adorn the southern section of the park. The northern section contains the Museum, tennis courts, maintenance depot and curators cottage, and the childrens playground designed as a Victorian maze. The listing in the Victorian Heritage Register says in part: "The Carlton Gardens are of scientific significance for their outstanding collection of plants, including conifers, palms, evergreen and deciduous trees, many of which have grown to an outstanding size and form. The elm avenues of Ulmus procera and Ulmus × hollandica are significant as few examples remain world wide due to Dutch elm disease. The Garden contains a rare specimen of Acmena ingens, only five other specimens are known, an uncommon Harpephyllum caffrum and the largest recorded in Victoria, Taxodium distichum, and outstanding specimens of Chamaecyparis funebris and Ficus macrophylla, south west of the Royal Exhibition Building." Wildlife includes brushtailed possums, ducks and ducklings in spring, tawny frogmouths, kookaburras. Indian mynas and silver gulls are common. At night Goulds wattled bat and white-striped freetail bats hunt for insects while grey-headed flying foxes visit the gardens when native trees are flowering or fruiting. The gardens contain three important fountains: the Exhibition Fountain, designed for the 1880 Exhibition by sculptor Joseph Hochgurtel; the French Fountain; and the Westgarth Drinking Fountain.

Victorian Trades Hall

Victorian Trades Hall is the world's oldest Trade Union building, located in the suburb of Carlton, Melbourne, Victoria, Australia, and home to the Victorian Trades Hall Council. It is located on the corner of Lygon Street and Victoria Street, just north of the Melbourne central business district. The original Trades Hall was opened in May 1859, built by workers as an organising place for the labour movement in Melbourne. The workers financed the construction of the building themselves. The hall underwent an upgrade from 1874 to 1925 at the hands of architectural firm Reed & Barnes and it remains one of the most historically important sites in Melbourne today, being classified by the National Trust and included in the Register of Historic Buildings . The hall is located across the road from the eight hour day monument which was erected to honour the Victorian workers who won the first 8-hour working day in the world in 1856. It is the birthplace of organisations like the Victorian Labor Party and Australian Council of Trade Unions. Four flags fly from the roof of the building; the Australian Flag, the Eureka Flag, the Australian Aboriginal flag, and the red flag. Trades Hall is home to a number of Victorian trade unions, community organisations and left-wing political parties. It also serves as the headquarters of the National Union of Students. The hall is primarily used by Victorian labour organisations as a space for organising and coordinating campaigns. The hall also hosts Occupational Health and Safety training for workers. The various rooms of the hall can also be hired out for functions, meetings or conferences and it is often used for theatrical productions and to display artwork. The hall has a bar which is patronised by trade union members and political activists and a bookshop which sells political texts. In recent times, as well as being the centre for union activity, the Trades Hall Council has opened the Trades Hall building to many cultural events, plays, and concerts including the Melbourne Comedy Festival-concentrating on political and 'on the edge' performances.

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