Top Attractions in Versailles

Palace of Versailles

The Palace of Versailles, Château de Versailles is a royal château in Versailles in the Île-de-France region of France. When the château was built, Versailles was a small village dating from the 11th century; today, however, it is a wealthy suburb of Paris, some 20 kilometres (12 miles) southwest of the centre of the French capital (point zero at square in front of Notre Dame). Versailles was the seat of political power in the Kingdom of France from 1682, when King Louis XIV moved the royal court from Paris, until the royal family was forced to return to the capital in October 1789, within three months after the beginning of the French Revolution. Versailles is therefore famous not only as a building, but as a symbol of the system of absolute monarchy of the Ancien Régime. First built by Louis XIII in 1623, as a hunting lodge of brick and stone, the edifice was enlarged into a royal palace by Louis XIV. The first phase of the expansion (c. 1661–1678) was designed and supervised by the architect Louis Le Vau. It culminated in the addition of three new wings of stone (the enveloppe), which encompassed Louis XIII's original building on the north, south, and west (the garden side). After Le Vau's death in 1670, the work was taken over and completed by his assistant François d'Orbay. Charles Le Brun designed and supervised the elaborate interior decoration, and André Le Nôtre landscaped the extensive Gardens of Versailles. Le Brun and Le Nôtre collaborated on the numerous fountains, and Le Brun supervised the design and installation of countless statues. During the second phase of expansion of the mansion (c. 1678–1715), two enormous wings north and south of the wings flanking the Cour Royale (Royal Courtyard) were added by the architect Jules Hardouin-Mansart. He also replaced Le Vau's large terrace, facing the garden on the west, with what became the most famous room of the palace, the Hall of Mirrors. Mansart also built the Petites Écuries and Grandes Écuries (stables) across the Place d'Armes, on the eastern side of the château, and, in 1687, the Grand Trianon, or Trianon de Marbre (Marble Trianon), replacing Le Vau's 1668 Trianon de Porcelaine in the northern section of the park. Work was sufficiently advanced by 1682, that Louis XIV was able to proclaim Versailles his principal residence and the seat of the government of the Kingdom of France and also to give rooms in the palace to almost all of his courtiers. After the death of his consort Maria Theresa of Spain in 1683, Louis XIV undertook the enlargement and remodeling of the royal apartments in the original part of the palace, the former hunting lodge built by his father. The Royal Chapel of Versailles, located at the south end of the north wing, was begun by Mansart in 1688, and after his death in 1708 completed by his assistant Robert de Cotte in 1710. One of the most baffling aspects to the study of Versailles is the cost – how much Louis XIV and his successors spent on Versailles. Owing to the nature of the construction of Versailles and the evolution of the role of the palace, construction costs were essentially a private matter. Initially, Versailles was planned to be an occasional residence for Louis XIV and was referred to as the "king's house". Accordingly, much of the early funding for construction came from the king's own purse, funded by revenues received from his appanage as well as revenues from the province of New France (Canada), which, while part of France, was a private possession of the king and therefore exempt from the control of the Parliaments. Once Louis XIV embarked on his building campaigns, expenses for Versailles became more of a matter for public record, especially after Jean-Baptiste Colbert assumed the post of finance minister. Expenditures on Versailles have been recorded in the compendium known as the Comptes des bâtiments du roi sous le règne de Louis XIV and which was edited and published in five volumes by Jules Guiffrey in the 19th century. These volumes provide valuable archival material pursuant to the financial expenditures of all aspects of Versailles from the payments disbursed for many trades as varied as artists and mole catchers. To counter the costs of Versailles during the early years of Louis XIV's personal reign, Colbert decided that Versailles should be the "showcase" of France. Accordingly, all materials that went into the construction and decoration of Versailles were manufactured in France. Even the mirrors used in the decoration of the Hall of Mirrors were made in France. While Venice in the 17th century had the monopoly on the manufacture of mirrors, Colbert succeeded in enticing a number of artisans from Venice to make the mirrors for Versailles. However, owing to Venetian proprietary claims on the technology of mirror manufacture, the Venetian government ordered the assassination of the artisans to keep the secrets proprietary to the Venetian Republic. To meet the demands for decorating and furnishing Versailles, Colbert nationalised the tapestry factory owned by the Gobelin family, to become the Manufacture royale des Gobelins.

Chapels of Versailles

The present chapel of the Palace of Versailles is the fifth in the history of the palace. These chapels evolved with the expansion of the château and formed the focal point of the daily life of the court during the Ancien Régime .

Versailles Cathedral

Versailles Cathedral is a Roman Catholic cathedral, and national monument of France, in Versailles. It is the seat of the Bishop of Versailles, created as a constitutional bishopric in 1790 and confirmed by the Concordat of 1801. It was built as the parish church of Saint Louis before becoming the cathedral of the new diocese. The building is of the mid-18th century: the first stone was laid, by Louis XV, on 12 June 1743 and the church was consecrated on 24 August 17 1754. The architect was Jacques Hardouin-Mansart de Sagonne, a grandson of the famous architect Jules Hardouin-Mansart. In 1764 Louis-François Trouard added the Chapelle de la Providence to the northern transept. During the French Revolution it was used as a Temple of Abundance, and badly defaced. It was chosen and used as the cathedral by the post-Revolutionary bishop, who preferred it to the church of Notre-Dame in Versailles, which had been the choice of the preceding constitutional bishop. Its consecration as a cathedral was however severely delayed, and was not performed until 1843, by the dioceses third bishop, Louis-Marie-Edmond Blanquart de Bailleul.

Hall of Mirrors

The Hall of Mirrors is the central gallery of the Palace of Versailles in Versailles, France. As the principal and most remarkable feature of King Louis XIV of France's third building campaign of the Palace of Versailles , construction of the Hall of Mirrors began in 1678. To provide for the Hall of Mirrors as well as the salon de la guerre and the salon de la paix, which connect the grand appartement du roi with the grand appartement de la reine, architect Jules Hardouin Mansart appropriated three rooms from each apartment as well as the terrace that separated the two apartments. The principal feature of this hall is the seventeen mirror-clad arches that reflect the seventeen arcaded windows that overlook the gardens. Each arch contains twenty-one mirrors with a total complement of 357 used in the decoration of the galerie des glaces. The arches themselves are fixed between marble pilasters whose capitals depict the symbols of France. These gilded bronze capitals include the fleur-de-lys and the Gallic cockerel or rooster. Many of the other attributes of the Hall of Mirrors were lost to war for financial purposes, such as the silver table pieces and guéridons, which were melted by order of Louis XIV in 1689 to finance the War of the League of Augsburg.

Galerie des Batailles

The Galerie des Batailles is a 120 metre long and 13 metre wide gallery occupying the first floor of the aile du midi of the Palace of Versailles, joining onto the grand and petit appartements de la reine. It is an epigone of the Grande galerie of the Louvre and was intended to glorify French military history from the Battle of Tolbiac to the Battle of Wagram .

Petit appartement du roi

The petit appartement du roi of the Palace of Versailles is a suite of rooms used by Louis XIV, Louis XV, and Louis XVI. Located on the first floor of the palace, the rooms are found in the oldest part of the palace dating from the reign of Louis XIII. Under Louis XIV, these rooms housed the king’s collections of artworks and books, forming a museum of sorts. Under Louis XV and Louis XVI, the rooms were modified to accommodate private living quarters. At this time, the rooms were transformed and their decoration represent some of the finest extant examples of the style Louis XV and style Louis XVI at Versailles .

Potager du roi

The potager du Roi, near the Palace of Versailles, produced fresh vegetables and fruits for the table of the court of Louis XIV. It was created between 1678 and 1783 by Jean-Baptiste de La Quintinie, the director of the royal fruit and vegetable gardens. Today it is run by the École Nationale Supérieure du Paysage, the high state school in France for the training of landscape architects. It is listed by the French Ministry of Culture as one of the Remarkable Gardens of France by the Comité des Parcs et Jardins de France. It is currently under the direction of Antoine Jacobsohn.

Petit Trianon

Petit Trianon, built between 1762 and 1768 during the reign of Louis XV, is a small château located on the grounds of the Palace of Versailles in Versailles, France. The park of the Grand Trianon includes the Petit Trianon.

Moberly–Jourdain incident

The Moberly–Jourdain incident, or the Ghosts of Petit Trianon or Versailles was an event that occurred on 10 August 1901 in the gardens of the Petit Trianon, involving two female academics, Charlotte Anne Moberly and Eleanor Jourdain . The women were both from educated backgrounds; Moberlys father was a teacher and a bishop, and Jourdains father was a vicar. During a trip to Versailles, they visited the Petit Trianon, a small château in the grounds of the Palace of Versailles, where they allegedly experienced a time slip, and saw Marie Antoinette as well as other people of the same period. After researching the history of the palace, and comparing notes of their experience, they published their work pseudonymously in a book entitled An Adventure, under the names of Elizabeth Morison and Frances Lamont, in 1911. Their story caused a sensation, and was subject to much ridicule.

Appartement du roi

The appartement du roi or Kings Apartment is the suite of rooms in the Palace of Versailles that served as the living quarters of Louis XIV. Overlooking the Marble Court, these rooms are situated in the oldest part of the chateau in rooms originally designated for use by the queen in Louis XIII’s chateau. Owing largely to the discomfort of the grand appartement du roi and to the construction of the Hall of Mirrors, Louis XIV began to remodel these rooms for his use shortly after the death of Maria Theresa in 1684. The appartement du roi evolved to become the everyday working quarters for Louis XV and Louis XVI. Initially, the appartement du roi consisted of a suite of eight rooms that issued from the Queen’s Staircase . The number was reduced to seven after 1701 and to six in 1755.

Grande Commande

The grande commande was a commission ordered by Louis XIV for statues intended to decorate the parterre d’eau of the gardens of the Palace of Versailles, as initially conceived in 1672. The commission, which included 24 statues and four groups, was ordered in 1674. Designed by Charles Le Brun from Cesare Ripa’s Iconologia, the statues were executed by the foremost sculptors of the day . Owing to concerns of the effects of the vertical lines of the statues in relations to the garden façade of the château, the statues of the grande commande were transferred to other locations in the gardens in 1684 . The 24 statues were personifications of the classic quaternities: The four groupings represented the four classic Abductions: The Four Abductions: Persephone by Pluto Cybele by Saturn Orethyia by Boreas Coronis by Neptune

Hameau de la Reine

The Hameau de la Reine is a rustic retreat in the park of the Château de Versailles built for Marie Antoinette in 1783 near the Petit Trianon in the Yvelines, France. It served as a private meeting place for the Queen and her closest friends, a place of leisure. Designed by the Queens favoured architect, Richard Mique and with the help of the painter Hubert Robert, it contained a meadowland with lakes and streams, a classical Temple of Love on an island with fragrant shrubs and flowers, an octagonal belvedere, with a neighbouring grotto and cascade. There are also various buildings in a rustic or vernacular style, inspired by Norman or Flemish design, situated around an irregular pond fed by a stream that turned the mill wheel. The building scheme included a farmhouse,, a dairy, a dovecote, a boudoir, a barn that was burned down during the French Revolution, a mill and a tower in the form of a lighthouse. Each building is decorated with a garden, an orchard or a flower garden. The largest and most famous of these houses is the "Queens House" that is connected to the Billiard house by a wooden gallery, at the center of the village. A working farm was close to the idyllic, fantasy-like setting of the Queen’s Hamlet. The hameau is the best-known of a series of rustic garden constructions built at the time, notably the Prince of Condés Hameau de Chantilly which was the inspiration for the Versailles hameau. Such model farms operating under principles espoused by the Physiocrats, were fashionable among the French aristocracy at the time. One primary purpose of the hameau was to add to the ambiance of the Petit Trianon, giving the illusion that it was deep in the countryside rather than within the confines of Versailles. The rooms at the hameau allowed for more intimacy than the grand salons at Versailles or at the Petit Trianon. Abandoned after the French Revolution, it was renovated in the late 1990s and is open to the public.

Royal Opera of Versailles

The Royal Opera of Versailles is the main theatre and opera house of the Palace of Versailles. Designed by Ange-Jacques Gabriel, it is also known as the Théâtre Gabriel. The interior decoration by Augustin Pajou is constructed almost entirely of wood, painted to resemble marble in a technique known as faux marble. The excellent acoustics of the opera house are at least partly due to its wooden interior. The house is located at the northern extremity of the north wing of the palace. General public access to the theater is gained through the two-story vestibule. Some parts of the Opéra, such as the Kings Loge and the Kings Boudoir represent some of the earliest expressions of what would become known as Louis XVI style. Lully’s Persée — written in 1682, the year Louis XIV moved into the palace — inaugurated the Opéra on 16 May 1770 in celebration of the marriage of the dauphin — the future Louis XVI — to Marie-Antoinette. The Opéra Royal can serve either as a theater for opera, stage plays, or orchestral events, when it can accommodate an audience of 712, or as a ballroom, when the floor of the orchestra level of the auditorium can be raised to the level of the stage. On these occasions, the Opéra can accommodate 1,200.

Palace of Versailles Research Centre

The Palace of Versailles Research Centre is the first research centre established in a French palace. It originated as part of a French government project called "Digital Great Versailles" to improve public access to the Palace of Versailles. It is located in the Jussieu pavilion, near the Grand Trianon and the Petit Trianon, on the grounds of the Palace of Versailles, which is in the Île-de-France region of France. The Centre serves as a resource to scholars and curators researching European court culture of the seventeenth and eighteenth centuries. For example, such research would seek to explore the sites and expressions of power, such as those represented at Versailles and in other European courts of the same era, and join together researchers interested in this era. In addition to facilitating research, it also organises symposia and training activities such as seminars and summer schools. The websites of the Research Centre and of Grand Versailles Numérique are among those recommended by Frances Ministry of Culture and Communication as "sites préférés."

Petit appartement de la reine

The petit appartement de la reine is a suite of rooms in the Palace of Versailles. These rooms, situated behind the grand appartement de la reine, and which now open onto two interior courtyards, were the private domain of the Queens of France, Maria Theresa of Spain, Marie Leszczyńska, and Marie-Antoinette as well as of the duchesse de Bourgogne as dauphine. The rooms in the petit appartement de la reine have been restored to the condition in which they were left when Marie-Antoinette left Versailles on 6 October 1789.

Salle des Croisades

The Salle des Croisades are a set of rooms located in the Palace of Versailles. The rooms were created in the mid-19th century by king Louis-Philippe, and opened in 1843, at a time when France was seized with enthusiasm with its historical past, and especially the Crusades period. The rooms are filled with over 120 paintings related to the Crusades. King Louis-Philippe included the names of the thousands of family whose ancestors went to the Crusades, encouraging many forgeries at that time.

Théâtre Montansier

The Théâtre Montansier is a French theatre in rue des Réservoirs, Versailles, near the royal château. It was created by the actress and theatre director Mademoiselle Montansier, designed by Jean-François Heurtier, inspecteur général des bâtiments du roi and designer of the Salle Favart at the Opéra-Comique. The theatre opened 18 November 1777, with Louis XVI and Marie Antoinette in attendance. It has been headed by such figures as Marcelle Tassencourt, wife of Thierry Maulnier, and Francis Perrin. Since 2000, it has been headed by Jean-Daniel Laval who, since taking on the role, has declared his wish to see the Théâtre Montansier opened up to a wider audience.

L'Opéra of the Palace of Versailles

The Royal Opera of Versailles is the main theatre and opera house of the Palace of Versailles. Designed by Ange-Jacques Gabriel, it is also known as the Théâtre Gabriel. The interior decoration by Augustin Pajou is constructed almost entirely of wood, painted to resemble marble in a technique known as faux marble. The excellent acoustics of the opera house are at least partly due to its wooden interior. The house is located at the northern extremity of the north wing of the palace. General public access to the theater is gained through the two-story vestibule. Some parts of the Opéra, such as the King's Loge and the King's Boudoir represent some of the earliest expressions of what would become known as Louis XVI style. Lully’s Persée — written in 1682, the year Louis XIV moved into the palace — inaugurated the Opéra on 16 May 1770 in celebration of the marriage of the dauphin — the future Louis XVI — to Marie-Antoinette. The Opéra Royal can serve either as a theater for opera, stage plays, or orchestral events, when it can accommodate an audience of 712, or as a ballroom, when the floor of the orchestra level of the auditorium can be raised to the level of the stage. On these occasions, the Opéra can accommodate 1,200.

Bassin d'Apollo

Le Bassin dApollo is a fountain at the Palace of Versailles, France. Charles Le Brun designed the centerpiece depicting the Greek god Apollo rising from the sea in a four-horse chariot. A pond was dug on the site of the fountain in 1639 called "The Pond of the Swans". When King Louis XIV had it enlarged in 1671, the ponds east-west orientation and the common association of the King with Apollo prompted Le Brun to suggest dedicating the site to Apollo. The dawn theme was popular at the time and appears on some painted ceilings in European palaces. The fountain was constructed between 1668 and 1671.

Latona Fountain

The Latona Fountain in the Gardens of Versailles lies in the Latona Basin between the Chateau de Versailles and the Grand Canal. On the top tier, there is a statue of the goddess Latona. The fountain operates three times a week during the high season.

Salon d'Hercule

The Salon dHercule is on the first floor of the Château de Versailles and connects the Royal Chapel in the North Wing of the château with the grand appartement du roi.

Versailles-Château-Rive-Gauche Station

Versailles-Château-Rive-Gauche is a station on line C of the Paris Region's express suburban rail system, the RER. It is situated in Versailles, in the département of Yvelines. This station is the terminus of RER C5, and the closest train station to the Château de Versailles. Until February 2012, the station was named Versailles-Rive-Gauche ("Versailles Left-Bank").

Temple de l'Amour

The temple de lAmour is a garden folly of the Château de Versailles, and more specifically, in the Petit Trianon part of it.

Satory

Satory is an area south of Versailles in France. It is mostly known for its military camp, housing: Weapon-testing facilities of GIAT Industries Barracks and facilities for gendarmerie including the GIGN headquarters and the gendarmerie armored squadron Barracks for Marine troops. The areas hosted some of the shooting events for the 1900 Summer Olympics. The camp was also the original site for the Eurosatory international exhibition for ground defense.

Church of Notre-Dame

The Church of Notre-Dame, Versailles is a parish church in Versailles, Yvelines, France, in the Rue de la Paroisse.

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Top Attractions in Versailles

Palace of Versailles

Chapels of Versailles

Versailles Cathedral

Hall of Mirrors

Galerie des Batailles

Petit appartement du roi

Potager du roi

Petit Trianon

Moberly–Jourdain incident

Appartement du roi

Grande Commande

Hameau de la Reine

Royal Opera of Versailles

Palace of Versailles Research Centre

Petit appartement de la reine

Salle des Croisades

Théâtre Montansier

L'Opéra of the Palace of Versailles

Bassin d'Apollo

Latona Fountain

Salon d'Hercule

Versailles-Château-Rive-Gauche Station

Temple de l'Amour

Satory

Church of Notre-Dame

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