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Top Attractions in Stratford-upon-Avon

Stratford-upon-Avon Cricket Club Ground

Startford-upon-Avon Cricket Ground is a cricket ground in Stratford-upon-Avon, Warwickshire. The ground is next to the River Avon and also located next to the Royal Shakespeare Theatre, on Swans Nest Lane. The first recorded match on the ground was in 1880, when Stratford-upon-Avon played a United South of England Eleven. Warwickshire first used the ground for first-class cricket in 1951 when they played Oxford University. First-class cricket next returned to the ground in 2004 when Warwickshire played Lancashire. The final first-class match held at the ground to date came in the Stratford Festival of Cricket in 2005, when Warwickshire played Hampshire; a Hampshire team which featured such names as Shane Warne and Kevin Pietersen. The ground has also held 2 List-A matches. The first came in the 2000 NatWest Trophy when the Warwickshire Cricket Board played Kent. The second List-A match came in 2005 when Warwickshire played Scotland in the 2005 totesport League. Additionally, the ground has hosted 3 Women's One Day Internationals. The first came in 2005 and saw England women play Australia women. The second came in 2007 and was between England women and New Zealand women. The final Women's ODI to date came in 2009 and was between England women and Australia women. It also holds several high profile fixtures throughout the year including County Second XI Cricket, Summer Solstice Cricket and in June 2010 it hosted a match featuring the Lord's Taverners. In local domestic cricket, the ground is the home venue of Stratford-upon-Avon Cricket Club who play in the Birmingham and District Premier League Division One.

Billesley

Billesley is a village and civil parish in the Stratford district of Warwickshire, England, just off the A46 road, between Stratford and Alcester. According to the 2001 census, the parish had a population of 46. From the 2011 Census the population of the civil parish had been included with Haselor The population of Billesley is divided into three categories: The Kerby family, The Mumfords, and the staff of the well-known Billesley Manor Hotel. Billesley is mentioned in the Domesday Book, and is so called because 'The Lea' belonged to Billesley. It had a population of about 150 at that time, but most of them were wiped out by the plague. It has its own Church of All Saints. Due to the small population of Billesley, it does not have services every week. Services are held on the first Sunday of each month when possible. The church is not registered for marriages and comes under the Parish of Wilmcote. Of particular interest to architectural historians are the traditional closed family pews, as well as the miniature lofts; the church itself is a pocket gem of 18th century design. Billesley Manor has a key to the church, but they do not own the church. Billesley Manor itself was originally a private home and the manor's tenants owned more of the land than the house is set on now. The building dates from c.1610 and is a grade II* listed building. The original owners are buried in the churchyard. Like many of the local churches, it is rumoured that William Shakespeare was a regular visitor, at least to the tiny churchyard that predates the later church.

Shakespeare's funerary monument

The Shakespeare funerary monument is a memorial to William Shakespeare located inside Holy Trinity Church, Stratford-upon-Avon, Warwickshire, UK, the same church in which Shakespeare was baptised. The monument, carved in pale blue limestone by Gerard Johnson, is mounted on the north wall of the chancel. It features a demi-figure of the poet, which holds a quill pen in one hand and holds down a piece of paper resting on a cushion with the other. The style was most commonly used for divines, academics, and those professions with pretensions of learning. The buttoned doublet, with its ornamental slashes, was probably originally painted scarlet, the loose gown black, the eyes hazel, and the hair and beard auburn. It has been retouched many times, and painted entirely white in 1793. This demi-figure is one of only two representations definitely accepted as accurately portraying William Shakespeares physical appearance. The monument is topped with strapwork rising to a heraldic shield containing the Shakespeare familys coat of arms, on either side of which sits an allegorical figure: one, representing Labour, holds a spade, the other, representing Rest, holds an inverted torch and a skull. The two columns that support the entablatures and coat-of-arms above the bust are of black polished marble. The two putti and the skull are of sandstone, and the capitals and bases of the columns are of gilded sandstone. The architraves, frieze and cornice were originally of red-veined white alabaster, but they were replaced in 1749 with white marble. The effigy and the cushion are carved of one piece of bluish Cotswold limestone, and the inlaid panels are of black touchstone. The date the monument was erected is not known exactly, but it must have been before 1623; in that year, the First Folio of Shakespeares works was published, prefaced by a poem by Leonard Digges that mentions "thy Stratford moniment" . John Weever transcribed the monument inscription and grave epitaph, and H. R. Woudhuysens analysis of the undated manuscript suggests that his visit to Stratford was made not much later than 1617–18. The monument was restored in 1748–49 and has been repainted several times.

Swan Theatre

The Swan Theatre is a theatre belonging to the Royal Shakespeare Company in Stratford-upon-Avon, England. It is built on to the side of the larger Royal Shakespeare Theatre, occupying the Victorian Gothic structure that formerly housed the Shakespeare Memorial Theatre that preceded the RST but was destroyed by fire in 1926. Trevor Nunn and Terry Hands were joint artistic directors of the RSC when the company opened The Swan. Designed by Michael Reardon, it has a deep thrust stage, and is a galleried, intimate auditorium holding around 450 people. The space was to be dedicated to playing the works of William Shakespeares contemporaries, the works of European writers and the occasional work of Shakespeare. The theatre was launched on 8 May 1986 with a production of The Two Noble Kinsmen by William Shakespeare and John Fletcher . It was directed by Barry Kyle. The Swan has subsequently been used for many other types of drama including the works of Chekhov, Ibsen and Tennessee Williams. The Swan Theatre has recently been refurbished as part of the Royal Shakespeare Company’s £112.8 million transformation project. Improvements to the Swan include re-carpeting of the auditorium on all levels and re-upholstering of seats. The project also saw the installation of a new induction hearing loop, an upgrade to the sound and lighting infrastructure and the replacement of the air conditioning system which has enabled roof-space to be freed up, returning the capability for flying and hanging scenic items over the stage. The project also enabled a number of structural changes, so the Swan Theatre now has more storage space and shares back-of-house and public spaces with the Royal Shakespeare Theatre. The two theatres are linked together for the first time by a new Colonnade. The Transformation project included new facilities and public spaces for the Royal Shakespeare and Swan Theatres a Rooftop Restaurant with views over the River Avon, a Riverside Cafe and Terrace, the PACCAR Room exhibition space, a 36m high tower which provides circulation and outstanding views from its 32m high viewing platform, a new public outdoor space, Weston Square, to connect the theatre with the old medieval town to the west, and a riverside walk which stretches from the Bancroft Gardens, past the theatre, towards Holy Trinity Church. The whole building is now accessible for the first time for all visitors, performers and staff. Both the Royal Shakespeare and Swan Theatres opened in November 2010 for preview events and activities in advance of the first full Shakespeare performances from the RSC’s existing repertoire from February 2011. The first new productions designed specifically for the transformed stages began from April, with Gregory Doran’s Cardenio opening in the Swan Theatre as part of the RSC’s 50th Birthday Season celebrations which ran from April to December 2011. In 2011 the theatre, won a British Construction Industry Award.

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