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Top Attractions in Genoa

Teatro Carlo Felice

The Teatro Carlo Felice is the principal opera house of Genoa, Italy, used for performances of opera, ballet, orchestral music, and recitals. It is located on the Piazza De Ferrari. The hall is named for Duke Carlo Felice, and dates from December 24, 1824, when the Most Excellent Department of Theatres was established. On January 31, 1825, local architect Carlo Barabino submitted his design for the opera house which was to be built on the site of the church of San Domenico. The Dominican monks were moved elsewhere without delay or ceremony, and the first stone of the new building was laid on 19 March 1826. The inaugural performance of Bellinis Bianca e Fernando took place on April 7, 1828, even though the structure and decoration were not quite finished. The auditorium accommodated an audience of about 2,500 in five tiers, a gallery above, and standing room in the orchestra pit. The acoustics were considered among the best of the time. For nearly forty years from 1853, Verdi spent the winter in Genoa, but he had few strong professional ties with the Teatro Carlo Felice. In 1892, Genoa commemorated the 400th anniversary of Columbus discovery of America and to celebrate the occasion the Carlo Felice was renovated and redecorated at a cost of 420,000 lire . Verdi was approached to compose a suitable opera, but he declined the honour, making the excuse that he was too old. Alberto Franchettis opera Cristoforo Colombo premiered at the Carlo Felice on 6 October 1892. The hall was altered many times in the years 1859-1934, and remained remarkably unscathed by war until 9 February, 1941 when a shell fired by a British warship hit the roof, leaving a large hole open to the sky and destroying the ceiling of the auditorium which had been a unique example of 19th century rococo extravagance, its main feature being a wide circle of angels, cherubs and other winged creatures in brightly painted high relief. Further damage was sustained on 5 August 1943 when incendiary bombs started a backstage fire which destroyed all scenery and wooden fittings, but did not reach the main auditorium. Unfortunately additional damage was caused by looters who stripped the back of the theatre of every possible scrap of metal they could find. Finally, an air raid in September 1944 caused the destruction of the front of the theatre leaving virtually only the outside walls and the corridors behind the tiers of boxes standing. What had been the most richly beautiful of opera houses had become a skeleton of bare walls and roofless porticos. Reconstruction plans began immediately after the wars close. The first design by Paolo Antonio Chessa was rejected; the second by Carlo Scarpa was approved in 1977 but brought to a halt by his untimely death. Aldo Rossi ultimately provided todays design, in which portions of the original facade have been recreated but the interior is entirely modern. The hall officially reopened in June 1991, with a main hall holding up to 2,000 seats and a smaller auditorium holding up to 200 seats.

Santa Maria di Castello

Santa Maria di Castello is a church and religious complex in Genoa, Italy. Administrated by the Dominicans, it is located in the Castello hill of the city, where a Roman castrum existed. The church is flanked by the large Tower of the Embriaci. The church, in Romanesque style, was erected before 900 AD. It houses numerous artworks commissioned by the main noble families of Genoa, by artists such as Francesco Maria Schiaffino, Lorenzo Fasolo, Alessandro Gherardini, Giuseppe Palmieri, Francesco Boccaccino, Pier Francesco Sacchi, Bernardo Castello, Aurelio Lomi and Tommaso Orsolino. Notable are the frescoes with Stories of David and the painted majolicas from the 16th century Genoese school. The high altar is decorated by a marble group of the "Assumption" by Domenico Parodi while the chapel to the left of the presbytery has a Santa Rosa da Lima by Domenico Piola and a marble cover by Taddeo Carlone. The fourth chapel in the left aisle has a Madonna del Rosario by the workshop of Anton Maria Maragliano, while the first chapel has a painting attributed to Giovanni Battista Paggi . The baptistery has a polyptych from Lombard masters of the 15th century. The main portal is in Tuscan style and is surmounted by a Gothic lunette of the 14th century with a "Crucifixion". The loggia facing the second cloister has frescoes of Saints, a Madonna and, on the first floor, an Annunciation by Giusto d'Alemagna from 1451. In the upper floor has a statue of "St. Catherina of Alexandria" and a marble tabernacle attributed to Domenico Gagini .

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