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Top Attractions in 5e Arrondissement

Arènes de Lutèce

The Arènes de Lutèce are among the most important remains from the Gallo-Roman era in Paris, together with the Thermes de Cluny. Lying in what is now the Quartier Latin, this amphitheater could once seat 15,000 people, and was used to present gladiatorial combats. Constructed in the 1st century AD, this amphitheater is considered the longest of its kind constructed by the Romans. The sunken arena of the amphitheater was surrounded by the wall of a podium 2.5 m high, surmounted by a parapet. The presence of a 41.2-m- long stage allowed scenes to alternate between theatrical productions and combat. A series of nine niches aided in improving the acoustics. Five cubbyholes were situated beneath the lower terraces, of which three appear to have been animal cages that opened directly into the arena. Historians believe that the terraces, which surrounded more than half of the arenas circumference, could accommodate as many as 17,000 spectators. Slaves, the poor, and women were relegated to the higher tiers — while the lower seating areas were reserved for Roman male citizens. For comfort, a linen awning sheltered spectators from the hot sun. Circus acts showcased wild animals. From its vantage point, the amphitheater also afforded a spectacular view of the Bièvre and Seine rivers. When Lutèce was sacked during the barbaric invasions of 280 A.D., some of the structures stone work was carted off to reinforce the citys defences around the Île de la Cité. Subsequently, the amphitheater became a cemetery, and then it was filled in completely following the construction of wall of Philippe Auguste . Centuries later, even though the surrounding neighbourhood had retained the name les Arènes, no one really knew exactly where the ancient arena had been. It was discovered by Théodore Vaquer during the building of the Rue Monge between 1860–1869, when the Compagnie Générale des Omnibus sought to build a tramway depot on the site. Spearheaded by the author Victor Hugo and a few other intellectuals, a preservation committee called la Société des Amis des Arènes undertook to save the archaeological treasure. After the demolition of the Couvent des Filles de Jésus-Christ in 1883, one-third of the arena was uncovered. The Municipal Council dedicated funds to restoring the arena and establishing it as a public square, which was opened in 1896. After the tramway lines and depot were dismantled in 1916 and line 10 of the Paris Métro was constructed, the doctor and anthropologist Jean-Louis Capitan continued with additional excavation and restoration of the arena toward the end of World War I. The neighbouring Square Capitan, built on the site of the old Saint-Victor reservoir, is dedicated to his memory. Unfortunately, a portion of the original arena — opposite the stage — was lost to buildings which line rue Monge. Standing in the centre of the arena one can still observe significant remnants of the stage and its nine niches, as well as the grilled cages in the wall. The stepped terraces are not original, but historians believe that 41 arched openings punctuated the façade.

Panthéon

The Panthéon is a building in the Latin Quarter in Paris. It was originally built as a church dedicated to St. Genevieve and to house the reliquary châsse containing her relics but, after many changes, now functions as a secular mausoleum containing the remains of distinguished French citizens. It is an early example of neoclassicism, with a façade modeled on the Pantheon in Rome, surmounted by a dome that owes some of its character to Bramantes "Tempietto". Located in the 5th arrondissement on the Montagne Sainte-Geneviève, the Panthéon looks out over all of Paris. Designer Jacques-Germain Soufflot had the intention of combining the lightness and brightness of the gothic cathedral with classical principles, but its role as a mausoleum required the great Gothic windows to be blocked.

Musée Curie

The Musée Curie is a historical museum focusing on radiological research. It is located in the 5th arrondissement at 1, rue Pierre et Marie Curie, Paris, France, and open Wednesday to Saturday, from 1pm to 5pm; admission is free. The museum was renovated in 2012, thanks to a donation from Ève Curie. The museum was established in 1934, after Curies death, on the ground floor of the Curie Pavilion of the Institut du Radium. It was formerly Marie Curies laboratory, built 1911-1914, and where she performed research from 1914-1934. In this laboratory her daughter and son-in-law Irène and Frédéric Joliot-Curie discovered artificial radioactivity, for which they received the 1935 Nobel Prize for Chemistry. The museum contains a permanent historical exhibition on radioactivity and its applications, notably in medicine, focusing primarily on the Curies, and displays some of the most important research apparatus used before 1940. It also contains a center for historical resource which holds archives, photographs, and documentation on the Curies, Joliot-Curies, the Institut Curie, and the history of radioactivity and oncology.

Musée de l'Assistance Publique – Hôpitaux de Paris

The Musée de lAssistance Publique – Hôpitaux de Paris is a museum dedicated to the history of Parisian hospitals. It is located on the left bank of the Seine in the 5th arrondissement, at 47, quai de la Tournelle, Paris, France. The museum is open daily except Mondays, holidays, and August; an admission fee is charged. The nearest Paris Métro station is Maubert-Mutualité on Line 10. The museum is housed in the Hôtel de Miramion, attributed to architect François Mansart, which was built as a private mansion for Christopher Martin in about 1630. The building became a Catholic school for girls from 1675 to 1794, then, during in the First Empire, it was converted into the central pharmacy for hospitals in Paris, which operated from 1812 until 1974. The museum was established in 1934 by the municipal authority, Assistance Publique Hôpitaux de Paris. Today, the museum contains a broad collection of nearly 10,000 objects related to the history of Parisian hospitals from the Middle Ages to the present day. Objects held include French and Flemish paintings, furniture from the 17th and 18th centuries, a major collection of pharmaceutical faiences, textiles, and medical instruments. About 8% of these items are presented in permanent exhibits, with rotating temporary exhibits that include loans from other museums. In 2002, an apothecary garden of 65 medicinal plants was created in the museums courtyard.

Musée des Collections Historiques de la Préfecture de Police

The Musée des Collections Historiques de la Préfecture de Police, also known as the Musée de la Préfecture de Police, is a museum of police history in the 5th arrondissement of Paris, France. It is located in the Hôtel de police at 4, rue de la Montagne-Sainte-Geneviève. The museum is open daily except Sunday; admission is free. The museum was originally started by prefect Louis Lépine for the Exposition Universelle, and has gradually grown through subsequent years. It now contains evidence, photographs, letters, memorabilia, and drawings that reflect major events in the history of France, famous criminal cases and characters, prisons, and daily life in the capital such as traffic and hygiene. Exhibits include a guillotine, uniforms, the pistol used in the assassination of Paul Doumer, and relics of the World War II occupation including German machine guns and insignias worn by Jews.

Paradis Latin

The Paradis Latin is a theater at number 28, rue du Cardinal Lemoine, in the Latin Quarter of Paris. The closest métro stations are Cardinal Lemoine and Jussieu. It was first built in 1803 and was initially called Théâtre Latin. It burned down but was rebuilt in 1887-1889 by Gustave Eiffel. It was closed around 1900, but was partially reconstructed and reopened in 1970. It is now a cabaret and goes by the name it received in January 1889, Paradis Latin. Arturo Brachetti, considered the best quick change performer in the world, started his career at Paradis Latin in 1979. He was the only one in the world since the legendary Leopoldo Fregoli . In 1979 two years after the opening of Paris Paradis, Jean-Jacques Debout and Roger Dumas created the Nuit de Paradis show for Jean-Marie Rivière. In 1981 a new show, Paradisiac, was produced and directed by Frédéric Botton and Francis Lai, who took a leave from his musical and film career for the project. The artist Michel Berger got his start at the theater. The artistic director, Jean-Marie Rivière, eventually retired to the Antilles, but the theater continued. New shows followed, co-written and directed by Christian Dura: Champagne in 1984, then Hello Paradis in 1987, and Viva Paradis, which commemorates the hundredth anniversary of the theater. In May 1995, a few years after the departure of his former colleague Riviére, Jean Kriegel chose to retire as well. Over nearly twenty years, he had hosted some two million spectators, with six different shows and over 1600 performances. Management has since been transferred to Sidney Israel and his son Harold.

Saint-Julien-le-Pauvre

Saint-Julien-le-Pauvre, in full Église Saint-Julien-le-Pauvre (French for Church of Saint Julian the Poor), is a Melkite Greek Catholic parish church in Paris, France, and one of the city's oldest religious buildings. Built in Romanesque style during the 13th century, it is situated in the 5th arrondissement, on the Left Bank of the Seine River, about 500 meters away from the Musée de Cluny and in the proximity of the Maubert-Mutualité Paris Métro station. It shares a city block with the Square René Viviani. Originally a Roman Catholic place of worship, Saint-Julien-le-Pauvre was built in stages from the 12th to the 19th centuries, and granted to the Eastern Catholic Melkite community in 1889. Its design was modified several times, and the resulting church is significantly smaller in size than originally planned.

Abbey of St. Victor

The Abbey of St. Victor, Paris, also known as Royal Abbey and School of St. Victor, was an abbey near Paris, France. Its origins are connected to the decision of William of Champeaux, the Archdeacon of Paris, to retire to a small hermitage near Paris in 1108. He took on the life, vocation and observances of the Canons Regular, and his new community followed the Augustinian Rule. William was famed for his teaching, and was followed to his hermitage by many of his disciples, including Peter Abelard, and was convinced by them to take up his lecturing again. William was made Bishop of Châlons-sur-Marne in 1113, and was succeeded in his hermitage at St. Victor's by Gildwin, who promoted the canonical order and its new abbey vigorously. Through generous gifts from popes, kings, queens, and nobles, the Abbey of St. Victor was soon richly endowed. Many houses of canons regular came under its influence and were reformed through its leadership, including the Abbey of Ste Geneviève , Wigmore Abbey in Wales, St. Augustine's , St. Catherine's , St. Thomas's , and San Pietro ad Aram . King Louis VIII mentioned no less than forty abbeys of the Order of St. Victor in his last will and testament, and he left 4,000 pounds to be equally divided among them, and all his jewels for the building of the abbey church in Paris. Before the abbey was 160 years old, several cardinals and at least eight significant abbots had been produced from among its members. The traditions of William of Champeaux were handed on, and the abbey became a center of piety and learning, attracting famous students, scholars and intellectuals including Hugh of St. Victor, Peter Lombard and Thomas Becket. In fact, the school of Saint Victor, with the schools of Ste Geneviève and Notre-Dame de Paris, was the cradle of the University of Paris.

Rue du Chat-qui-Pêche

Rue du Chat-qui-Pêche is considered the narrowest street in Paris. It is only 1.80m (just under 5 feet, 11 inches) wide for the whole of its 29m length. It is located in the 5th arrondissement, on the Rive Gauche of the Seine, and runs from Quai Saint-Michel to Rue de la Huchette, Built in 1540, it then ended on the bank of the river Seine. The status of "narrowest" street in Paris is also conferred on the sentier des Merisiers in the 12th arrondissement and the passage de la Duée in the 20e arrondissement. In English the name means "Street of the Fishing Cat". It was named after the picture on a shop sign. The original name was Rue des Étuves, and at various times it has also been known as Rue du Renard (not to be confused with the current Rue du Renard, in the 4e arr.) and Rue des Bouticles.

Latin Quarter

The Latin Quarter of Paris (French: Quartier latin, IPA: [kaʁtje latɛ̃]) is an area in the 5th and the 6th arrondissements of Paris. It is situated on the left bank of the Seine, around the Sorbonne. Known for its student life, lively atmosphere and bistros, the Latin Quarter is the home to a number of higher education establishments besides the university itself, such as the École Normale Supérieure, the École des Mines de Paris, Panthéon-Assas University, the Schola Cantorum, and the Jussieu university campus. Other establishments such as the École Polytechnique have relocated in recent times to more spacious settings. The area gets its name from the Latin language, which was once widely spoken in and around the University since Latin was the language of learning in the Middle Ages in Europe.

Musée de la Sculpture en Plein Air

The Musée de la Sculpture en Plein Air is a collection of outdoor sculpture located on the banks of the Seine in the 5th arrondissement, Paris, France. The museum opens free of charge. The museum was created in 1980 in the Jardin Tino Rossi to display sculptures from the second half of the twentieth century. It stretches some 600 meters along the Quai Saint-Bernard beside the Jardin des Plantes, between Place Valhubert and Gare dAusterlitz to just east of Pont de Sully. The museum currently contains over fifty sculptures, including pieces by Alexander Archipenko, Jean Arp, César Baldaccini, and Constantin Brâncuși, as well as the following pieces: Augustin Cardenas, La Grande Fenêtre, 1974 Marta Colvin, Le Grand Signe, 1970 Guy de Rougemont, Interpénétration des deux espaces, 1975 Reinout dHaeseMelmoth, 1966 Marino di Teana, Structure architecturale, 1973 Étienne-MartinDemeurre 1, 1954–1958 Sorel Etrog, Fiesole, 1965–1967 Albert Feraud, Sans titre, 1979 Yoshikuni Iida, Shining Wings, 1981 Jean-Robert Ipoustéguy, Hydrophage, 1975 Micha Laury, Mind Accumulation, 1988 Aglae Liberaki, Abellio, 1971–1973 Liuba, Animal 82, 1982 Liuba, Stèle, 1977 Bernard Pagès, Sans titre, 1988 Marta Pan, Sculpture, 1969 Ruggero Pazzi, Sculpture, 1979 Antoine Poncet, Ochicagogo, 1979 Nicolas Schöffer, Chronos 10, 1978 François Stahly, Neptune II, 1969

Shakespeare and Company (bookstore)

Shakespeare and Company is the name of two independent bookstores on Pariss Left Bank. The first was opened by Sylvia Beach on 19 November 1919 at 8 rue Dupuytren, before moving to larger premises at 12 rue de lOdéon in the 6th arrondissement in 1922. During the 1920s, it was a gathering place for writers such as Ezra Pound, Ernest Hemingway, James Joyce and Ford Madox Ford. It closed in 1940 during the German occupation of Paris and never re-opened. The second is situated at 37 rue de la Bûcherie, in the 5th arrondissement. Opened in 1951 by George Whitman, it was originally named "Le Mistral" but renamed to "Shakespeare and Company" in 1964 in tribute to Sylvia Beachs bookstore. Today, it serves both as a regular bookstore, a second-hand books store and as a reading library, specializing in English-language literature. The shop has become a popular tourist attraction, and was featured in the Richard Linklater film Before Sunset and in the Woody Allen film Midnight in Paris.

Fontaine de l'Abbaye de Saint-Germain-des-Prés

The Fontaine de lAbbaye de Saint-Germain-des-Prés is a fountain constructed in 1715-1717, at the end of the reign of King Louis XIV and the beginning of the reign of Louis XV, to provide drinking water in the neighborhood near the church of Saint Germain-des-Prés, in the 6th arrondissement of Paris. It was originally located at the corner of the Rue Sainte-Marguerite and Rue Childebert. The fountain mechanics were designed by Jean Beausire, the chief of public works and fountain-maker for Louis XIV, who built more than twenty fountains in Paris between 1684 and 1740. The architect was Victor-Thierry Dailly, who in 1715 was commissioned to build a group of houses and the fountain around the parvis of the Church of Saint-Germain-des-Pres. In the middle of the 19th century, the construction of Boulevard Saint-Germain by Baron Haussmann required the destruction of the site where the fountain was located. The fountain was moved to Place Langevin in the 5th arronidissement, against the wall of the old Ecole Polytechnique, where it can be seen today.

Théâtre de la Huchette

The Théâtre de la Huchette is a theatre in Paris. This small theatre in Paris Left Bank, located at 23 rue de la Huchette in the 5th arrondissement, is known for playing Eugène Ionescos absurdist double-bill of The Lesson and The Bald Soprano in permanent repertory since 1957, as "Spectacle Ionesco." Today, a third play is presented and this changes from time to time. Despite the theatres tiny size of only 85 seats, a total of over one and a half million spectators have attended the show. The theatres first ever production, by Georges Vitaly, was Albertina by Valentino Bompiani. The date was 26 April 1948. In 1951 he premièred Georges Schehadés first play Monsieur Boblle. In 1952 Marcel Pinard took over as owner, and brought to the theatre the works of Jean Genet, Federico García Lorca, Ivan Turgenev, Eugène Ionesco and Jean Tardieu. Pinard died in 1975, and the theatre was threatened with closure. The actors who had played the Ionesco double bill since 1957 formed a limited company in order to continue production. The closest métro and RER stations are: Saint-Michel and Saint-Michel – Notre-Dame.

Maison de la Mutualité

The Maison de la Mutualité is a conference center at 24 Rue Saint-Victor, 5th arrondissement of Paris, France. The closest métro station is Maubert-Mutualité. It is the headquarters of the federation of nonprofit mutual insurers of the Île-de-France région, which rents its halls and rooms to outside users. The conference center has an attached restaurant. La Mutualité hosts all kinds of events, from the yearly meeting of the shareholders of small companies to important meetings of national political parties. Because of the latter, it often appears in the news. The theatre of the Maison de la Mutualité was used as a classical recordings venue, particularly for many records by the Paris Conservatoire Orchestra after the Second World War, but also in more recent years, for instance by Deutsche Grammophon for Messaien's Quatuor pour la fin du temps and by Philips for Cavalleria rusticana conducted Semyon Bychkov. French anarchist singer-songwriters Léo Ferré and Renaud sang here. In 1950 the Association Internationale de la Mutualité was established during a conference in the Maison de la Mutualité.
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