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Top Attractions in São Paulo

Sé

Sé is the name of the most central borough in the city of São Paulo, in Brazil, divided in eight districts. The name comes from the presence of São Paulo Cathedral in the borough, and it is also the name of the central square . Also located in the Sé are the Pátio do Colégio, site of the foundation of the city in 1554, the São Paulo stock exchange , the mayor's palace and other historical buildings, including the Municipal Theater of São Paulo, the São Paulo Music Hall and the central railway Luz Station . Immigrant groups established in the Sé borough include Italians , Japanese , and Jews . Sé is also the borough with the largest number of subway stations. There are many areas of popular commerce, like the 25 de Março Street (one of the most popular area of commerce in Brazil, though often illegal), and high-class areas such as Pacaembu and Higienópolis. The famous Paulista Avenue (Avenida Paulista) is the southwest limit of this borough, with the borough of Pinheiros. The neighbourhood (and the later city) has developed between the three ancient churches of Our Lady of Mount Carmel, Saint Benedict and Saint Francis of Assisi (which part of it was expropriated by Emperor Pedro II for the stabilshment of the Law School) This borough is also an important college center with the very traditional Law School of the University of São Paulo and Mackenzie University, founded by North American Presbyterian missionaries in the 19th century.

São Paulo Zoo

The São Paulo Zoo is the largest zoo in Brazil. With 824,529 m² of space in what was originally the Atlantic Forest, the zoo is south of the city of São Paulo. It displays more than 3,200 animals, 102 species of mammals, 216 species of birds, 95 species of reptiles, 15 species of amphibians and 16 species of invertebrates in enclosures that replicate the natural habitats of these animals. The Zoos farm of 572 ha produces vegetables used in the manufacturing of feed for various animals, and material for the enclosures where the animals are. It also has animals that need extra space for mating. The zoo has a nursery for cubs who are rejected by their mothers, electric incubators and an incubation room for eggs of birds and reptiles. The educational function is emphasized in the zoo. Its library of more than four thousand volumes is open to the public. Its partnerships with other state, federal and foreign institutions includes research that facilitates the preservation of endangered species.

Morumbi

Morumbi is a district of the city of São Paulo belonging to the subprefecture of Butantã, in the southwestern part of the city. A common folk etymology attributes its name to the mixed Portuguese and Tupi phrase morro obi, which would mean "green hill", but this is disputed. Morumbi is between 9 and 15 km away from São Paulo's downtown. It has boundaries with the districts of Vila Sônia, Campo Limpo, Vila Andrade, Itaim Bibi, Pinheiros, and Butantã. Within Morumbi, the neighborhoods of Vila Progredior, Caxingüi, Jardim Guedala, Cidade Jardim, Real Parque, Vila Morumbi, Paineiras do Morumbi, Jardim Panorama, Jardim Sílvia, Vila Tramontano and Paraisópolis are found. Ranked first by many years in real estate launches, it was always considered by the citizens of São Paulo as sophisticated and as one of the wealthiest neighborhoods of the city, despite the existence of the Paraisópolis favela.

Pinacoteca do Estado de São Paulo

The Pinacoteca do Estado de São Paulo is one of the most important art museums in Brazil. It is housed in a 1900 building in Jardim da Luz, Downtown São Paulo, designed by Ramos de Azevedo and Domiziano Rossi to be the headquarters of the Lyceum of Arts and Crafts. It is the oldest art museum in São Paulo, founded on December 24, 1905, and established as a state museum since 1911. After passing through a renovation conducted by Paulo Mendes da Rocha in the 1990s, the museum became one of the most dynamic cultural institutions of the country, lining up with the international circuit of exhibitions, hosting cultural events and keeping an active bibliographic production. Pinacoteca also maintains a branch in Bom Retiro district, called Estação Pinacoteca, where it holds temporary exhibitions and the institutions documentation center. The Pinacoteca has a wide-ranging collection of Brazilian art, mainly noted for its vast assemblage of 19th-century paintings and sculptures, one of the largest in the country, as well as for a number of iconic Brazilian Modernist artworks. The collection also includes a department of works on paper, European paintings and sculptures from 19th-century artists, decorative arts, etc.

Baruel Mansion

Baruel Mansion is a mansion built in the 19th century, located in Alto de Santana, northern area of São Paulo city. The construction had been the headquarters of the Baruel estate, a farm where rice, beans, corn and sugarcane were grown with slave labour. The wealth of the owner is perceived in the buildings that make up the area. The estate was 24,250 square metres in area and after the death of Mr. Baruel the property was divided and sold in lots. The farm included the house of Dona Maria, daughter of Mr. Baruel, built in 1925, which today houses the Narbal Fontes Library. The Baruel were a traditional and influential family of Santana. Near the farm, in the current Voluntários da Pátria street is located in the Chapel of Santa Cruz, built in 1895 by Pedro Doll and the Baruel family. Built in the Norman style, the mansion is considered a historic site, it saves time and remnants of the neighbourhood. It has never been inhabited. Currently the building is a physiotherapy clinic.

Centro Comercial Aricanduva

Centro Comercial Aricanduva, also known as Shopping Aricanduva, is the second largest shopping mall in Latin America behind Antea LifeStyle Center in Mexico, and one of the largest in the world. It has over 500 shops, 14 cinemas and 14,700 parking spaces. The mall has 425,000 m2 of built area, out of which 247,027 m2 is leasable space. The mall is located in the Aricanduva Avenue, district of Cidade Líder, São Paulo. Its slogan is "Gigante como São Paulo", which means "Gigantic like São Paulo." The mall is a complex that consists of Shopping Leste Aricanduva, Interlar Aricanduva and Auto Shopping Aricanduva . The mall is the fifth largest in the Americas behind of the West Edmonton Mall, King of Prussia Mall, Mall of America and South Coast Plaza in the United States and Canada.

Museum of Zoology of the University of São Paulo

The Museum of Zoology of the University of São Paulo is a public natural history museum located in the historic Ipiranga district of São Paulo, Brazil. The MZUSP is an educational and research institution that is part of the University of São Paulo. The museum began at the end of the 19th century as part of the Museu Paulista; in 1941, it moved into a dedicated building. In 1969 the museum became a part of the University of São Paulo, receiving its current name. The MZUSP has one of the largest natural-history collections in Latin America, with over 8.5 million preserved specimens of vertebrates and invertebrates . Each collection is curated independently, and organized according to specific needs. Other facilities in the museum include a library specializing in zoology and laboratories dedicated to research in chronobiology, electron microscopy, molecular biology, histology and CT scans. MZUSP also operates the Boracéia Biological Station in the forest near Salesópolis for field research.

Latin America Memorial

The Latin America Memorial is a cultural, political and leisure complex, inaugurated in 1989, in São Paulo, Brazil. The architectural setting, designed by Oscar Niemeyer, is a monument to the cultural, political, social and economic integration of Latin America, spanning an area of 84,482 square meters. Its cultural project was developed by Brazilian anthropologist Darcy Ribeiro. It is a public foundation, financially and administratively autonomous, maintained by the state government. The architectural complex consists of several buildings arranged around two squares. It comprises: Salão de Atos Tiradentes, the Victor Civita Latin American Library, the Brazilian Center of Latin American Studies, the Marta Traba Gallery of Latin American Art, the Pavilhão da Criatividade, the Símon Bolívar Auditorium, and the Latin American Parliament building. In the main square, there is a large concrete sculpture, also designed by Oscar Niemeyer, representing an open hand in vertical position, with the map of Latin America painted in red. It’s a symbol of Latin America’s past of oppression and its battles for freedom, with the red map as a reminder of the blood from the sacrifices that were made. The Memorial has a permanent collection of works of art, on display in indoor and outdoor areas, as well as a large assemblage of Latin American folk art, housed in the Pavilhão da Criatividade. The library comprises 30,000 titles, besides music and image departments. The Memorial promotes exhibitions, conferences, debates, video sessions, theater, dance and music performances. It also has a research center specializing in Latin American issues and keeps an active bibliographic production. From 1989 to 2007, the Memorial also served as a host to the Latin American Parliament.

Pátio do Colégio

Pátio do Colégio is the name given to the historical Jesuit church and school in the city of São Paulo, Brazil. The name is also used to refer to the square in front of the church. The Pátio do Colégio marks the site where the city was founded in 1554. The city of São Paulo has its beginnings in a mission established by Jesuits Manuel da Nóbrega, José de Anchieta and others in the Brazilian hinterland. The village then called São Paulo dos Campos de Piratininga was founded on a plateau between two rivers, the Tamanduateí and the Anhangabaú, and was linked to the coastal village of São Vicente by a precarious path in the rainforest. The date that marks the beginning of São Paulo is January 25, 1554, when the priests celebrated the inaugural mass of the Jesuit school. Initially, the church building was a modest hut covered with palm leaves or straw. In 1556, under father Afonso Brás, new buildings of the school and church were finished using taipa de pilão, a more solid technique. These buildings would be the centre of spiritual and educational life in the settlement in the next couple of centuries. Since its beginnings, the Jesuit action in evangelising the Amerinds clashed with the interests of many settlers, who used indigenous slave labour and profited from the indigenous slave trade. In the early São Paulo, the expeditions of the bandeirantes to the hinterland in order to capture Amerinds were an important economic activity, and the conflicts with the Jesuits led to the expulsion of the Order from the village in 1640. Only in 1653, bandeirante Fernão Dias Pais Leme allowed the return of the Jesuit priests. The church and school were extensively rebuilt around 1653. In 1759, with the Suppression of the Society of Jesus in Portugal and its colonies ordered by the Marquis of Pombal, the fathers had to leave again. The Jesuit buildings now housed the colonial governors of São Paulo, and they continued to serve administrative functions after the Independence of Brazil and well into the 20th century. The colonial structures were completely rebuilt in different styles, and in 1896 the church collapsed. The tower survived but was greatly modified. In 1953, during the celebrations of the citys 400th anniversary, the area was given back to the Jesuit order. Thanks to their relative simple architecture and the abundance of 19th century iconography, the church was rebuilt and the tower and the school façade were given back their colonial look. The church and tower, in particular, have the sober Mannerist style they had in the 17th century, typical of Jesuit churches of colonial Brazil.

Museum of the Portuguese Language

The Museum of the Portuguese Language is an interactive Portuguese language—and Linguistics/Language Development in general—museum in São Paulo, Brazil. It is housed in the Estação da Luz railway station, in the urban district of the same name. Three hundred thousand passengers arrive and leave the station every day, and the choice of the building for the launching of the museum is connected to the fact that it was mainly here that thousands of non-Portuguese speaking immigrants arriving from Europe and Asia into São Paulo via the Port of Santos got acquainted with the language for the first time. The idea of a museum-monument to the language was conceived by the São Paulo Secretary of Culture in conjunction with the Roberto Marinho Foundation, at a cost of around 37 million reais. The objective of the museum is to create a living representation of the Portuguese language, where visitors may be surprised and educated by unusual and unfamiliar aspects of their own native language. Secondly, the caretakers of the museum, as expressed on the official website, "desire that, in this museum, the public has access to new knowledge and reflection in an intense and pleasurable manner," as it notices the relationship of the language with others, as well as its proto-languages. The museum targets the Portuguese speaking population, made up of peoples from many regions and social backgrounds, but who still have not had the opportunity to gain a broader understanding of the origins, the history and the continuous evolution of the language.

São Paulo Brazil Temple

The São Paulo Brazil Temple (formerly the São Paulo Temple) is the 19th constructed and 17th operating temple of The Church of Jesus Christ of Latter-day Saints (LDS Church). Located in the Brazilian city of São Paulo, it was the first LDS temple built in South America, and also the first temple to use the single story, single spire design. The spire is 101 feet (31 m) tall. The intention to construct a temple in São Paulo was announced by the LDS Church on March 1, 1975, with construction beginning twelve months later. Hundreds of local church members gathered to clear the site, which included removing brush, weeds, and banana trees. Hundreds more members donated their time to produce fifty thousand blocks of cast stone composed of quartz, marble chips, and white concrete for the exterior of the temple. It was dedicated on October 30, 1978, by church president Spencer W. Kimball. The temple has two ordinance rooms and four sealing rooms, and has a total floor area of 59,246 square feet (5,504 m²). On August 20, 2003, a gold-leafed statue of the angel Moroni was added to the temple during an extensive renovation and enlargement project 25 years after its dedication. Church president Gordon B. Hinckley rededicated the São Paulo Brazil Temple on February 22, 2004.

Temple of Solomon

The Temple of Solomon is a replica of the Temple of Solomon built by the Universal Church of the Kingdom of God in São Paulo. According to Brazilian press reports, the new temple is an "exact replica" of the ancient Temple of Solomon in Jerusalem. According to the churchs leader, "The outside is exactly the same as that which was built in Jerusalem", but with increased dimensions. Bishop Edir Macedo, the founder and leader of the neo-pentecostal church, at the time of construction explained that "We are preparing ourselves to build the temple, in the same mold as Solomons. Solomons Temple … used tonnes of gold, pure gold ...We are not going to build a temple of gold, but we will spend tonnes of money, without a shadow of doubt." Bishop Macedo has said that the temple is twice the height of Rio de Janeiros Catholic-sponsored Christ the Redeemer statue. Inside the temple there is a replica of the Ark of the Covenant constructed according to "biblical orientations".

Ema Gordon Klabin Cultural Foundation

The Ema Gordon Klabin Cultural Foundation is an art museum located in the city of São Paulo, Brazil. Officially established in 1978, it is a not-for-profit private institution, legally declared as an organization of federal public interest. It was created by the Brazilian collector and philanthropist Ema Gordon Klabin, with the purpose of preserving and displaying her art collection, as well as promoting cultural, artistic and scientific activities. The foundation is headquartered in Emas former house in Jardins district, specially designed by architect Alfredo Ernesto Becker in the 1950s to hold her collection. The house is surrounded by a 4,000 square meters garden projected by Brazilian landscape architect Roberto Burle Marx. The Foundations collection includes more than 1,500 pieces, covering some of the most compelling periods of Western art history, from Greek and Etruscan civilizations to European masters, with important works from the Dutch, Flemish, Italian and French schools, as well as works from Asian cultures, African and pre-Columbian art. Brazilian art is also outlined in the collection, which includes examples ranging from colonial period to the first generations of modernists. The Foundations library holds an assemblage of rare books, ranging from illuminated manuscripts to incunables.
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