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Top Attractions in Fairmount Park

Mann Center for the Performing Arts

The Mann Center for the Performing Arts is a nonprofit performing arts center located in the Centennial District of Philadelphia's West Fairmount Park, founded in 1935 as the summer home for the Philadelphia Orchestra. It has since hosted numerous world-class artists and touring companies such as the American Ballet Theatre with Mikhail Baryshnikov, Marian Anderson, Leonard Bernstein, Buena Vista Social Club, Ray Charles, Judy Garland, the Metropolitan Opera, Mormon Tabernacle Choir, Paul Robeson, Itzhak Perlman, Lang Lang, Midori, and Yo-Yo Ma. Major Philadelphia premieres have included the Israel Philharmonic Orchestra, Bolshoi Ballet and Orchestra’s production of Spartacus, and Britain’s Royal Ballet’s productions of Romeo and Juliet and Swan Lake. Among the scores of award-winning popular artists presented by the Mann in recent years are Jack Johnson, Ed Sheeran, Phish, Tony Bennett, Mary J. Blige, Roger Daltrey, Bob Dylan, Furthur, Arcade Fire, Aretha Franklin, Herbie Hancock, Norah Jones, Diana Krall, Wynton Marsalis, Willie Nelson, Smokey Robinson, Jill Scott, James Taylor, Damien Rice, Alabama Shakes, Bon Iver, Lana Del Rey, The National, and Stevie Ray Vaughan. In 2010, 2011 & 2014, the Mann was nominated by Pollstar, a concert industry trade publication, as "Best Major Outdoor Concert Venue" in North America. The venue has a total seating capacity of approximately 14,000, with 4,700 seats under the roof and over 8,600 outside.

Mom Rinker's Rock

Mom Rinker's Rock is a scenic outlook in Fairmount Park along the Wissahickon Creek in the city of Philadelphia, Pennsylvania, USA. It is located on a ridge on the eastern side of the park just a little north of the Walnut Lane Bridge, close by the statue dedicated to Toleration. The name of the outlook is derived from legendary stories about an event that supposedly occurred during or after the American Revolutionary War Battle of Germantown; the stories tell of American spies taking advantage of the rugged terrain of the Wissahickon valley to retrieve information from an informant named Molly Rinker , who allegedly perched atop a rock overlooking the valley to drop balls of yarn which contained messages about British troop movements during the occupation of Philadelphia. Other stories speak of a witch named Mom Rinkle who had little to do with the Revolutionary War. History allows that the American General John Armstrong, compelled by the rough terrain to abandon a cannon in the valley, did express his contempt for the "horrendous hills of the Wissahickon" over which Mom Rinker's Rock stands today. Here on May 15, 1847, the evening of a new moon, the American novelist, journalist, playwright, social activist, and labour organizer George Lippard was married to his frail young wife. Years afterward in 1883, a statue dedicated to Toleration was erected, a marble statue of a man in simple Quaker clothing; the nine-foot eight-inch statue has but the single word “Toleration” carved into its four-foot three-inch base. The statue was created by late 19th-century sculptor Herman Kirn, and brought to the site by landowner John Welsh, reported to have purchased the statue at the 1876 Centennial Exposition in Philadelphia. Welsh, a former Fairmount Park Commissioner and U.S. Ambassador to Britain, donated his land to the Park prior to his death in 1886.

Woodford

Woodford is a historic mansion in Philadelphia, Pennsylvania. Built in 1756, Woodford is the first of the great, opulent, late-Georgian mansions to be erected in the Philadelphia area. Woodford was built on 12 acres of land as a 1½-story summer residence by William Coleman, a wealthy merchant and justice of the Pennsylvania Supreme Court. Upon Colemans death in 1769, the house was sold to Alexander Barclay, a Quaker who served as His Majestys Customs Comptroller for the port of Philadelphia. Upon Barclays death in 1771, the house was bought by his brother-in-law, David Franks, who in 1772 added a second story and a kitchen wing, enlarging the house to almost its present size. In 1778, Franks, a staunch loyalist, was arrested and ordered to leave. He took his family to New York, and transferred the property to Thomas Paschall in settlement of a debt. Paschall is believed never to have lived at the house, but rented it out. He sold it to Isaac Wharton in 1793. In 1869, the city bought Woodford from Whartons heirs to add to Fairmount Park. The house served as the home of the Parks Chief Engineer and Supervisor, and later, in 1912, as the Park Guard headquarters and traffic court. The building was restored, commencing in 1927, and in 1930, it was opened to the public as a house museum, which it remains today. It houses, under the direction of the Naomi Wood Trust, the Naomi Wood collection of antique household goods, including Colonial furniture, unusual clocks, and English delftware. Woodford was added to the National Register of Historic Places in 1967. It is a contributing property of the Fairmount Park Historic District.

Lemon Hill

Lemon Hill is a Federal-style mansion in Fairmount Park, Philadelphia, built by the merchant Henry Pratt. Originally part of Robert Morris's 300-acre estate, The Hills, Pratt purchased 43 acres at a sheriff's sale for $14,654 in 1799. According to Pratt's letterbooks, recently discovered by Philadelphia Museum of Art assistant curator Martha C. Halpern, he designed the mansion himself and served as his own general contractor. Named for the many lemon trees in Morris's greenhouse, which was part of his new property, Pratt lived here until his death in 1838. To protect its water supply, the City of Philadelphia began purchasing properties along the Schuylkill River, beginning with Lemon Hill in 1844. This formed the basis for what is now Fairmount Park. Lemon Hill is located on a bluff overlooking the Schuylkill River and Boathouse Row. Exceptional architectural features include its three oval parlors, stacked one on top of the other, with curved fireplace mantles and doors. The mansion was restored by the architectural historian Fiske Kimball, 1925-26, who lived here while president of the Philadelphia Museum of Art, 1925-55. He conjectured that Robert Morris had built the mansion, but this was disproven by Martha C. Halpern in 2005. In the William L. Clements Library at the University of Michigan, Ann Arbor, she discovered Henry Pratt's letterbooks, and established through tax records that the mansion did not exist at the time he purchased the land. Owned by the City of Philadelphia, it is operated as a house museum by the Colonial Dames of America and the Friends of Lemon Hill. Long hidden by dense trees on the sides of the hill, a restoration of the "historic viewscape" is underway which will recreate the original vistas of and from the mansion.

The Monastery (Philadelphia, Pennsylvania)

The Monastery is a historic stone house in Philadelphia, located on the Wissahickon Creek at Kitchens Lane. It was built in 1747 and added to the National Register of Historic Places in 1972. The house's connection to monastic life is uncertain or simply legendary, but German mystic and hermit Johannes Kelpius lived nearby in the Wissahickon Valley from 1694 until his death in 1708, and connections with monks from Ephrata have been reported. According to the History of Philadelphia : ...there is a recital in the deed that Joseph had since erected at his own cost and charges "a three-story stone house or messuage on a certain piece or spot of land." Joseph Gorgas was a member of the society of Seventh Day Baptists. It is conjectured that he erected this house for purposes of seclusion and meditation. It is said, "Hither were gathered congenial spirits like himself, and there they held sweet communion." A small strip of land below the county bridge is pointed out as the place where the monks were accustomed to administer the rite of baptism in the Wissahickon, and on the early township map the spot is designated as the Baptisterion. Joseph Gorgas sold the lot with the house, now called the "Monastery," to Edward Milner in 1761, and it has since gone through various hands. The house in which the unknown author of the "Chronicon" lived for seventeen months could not have been the stone mansion to which tradition affixes the title. There is no proof that Gorgas allowed his house to be used for monastic purposes, but novelists have made much of the legends and tales of hermits and monks that cluster thickly about the vicinity.

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