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Top Attractions in Massachusetts Institute of Technology

MIT Museum

The MIT Museum, founded in 1971 is located at the Massachusetts Institute of Technology in Cambridge, Massachusetts. It hosts collections of holography, technology-related artworks, artificial intelligence, robotics, maritime history, and the history of MIT. Its holography collection of 1800 pieces is the largest in the world, though not all of it is exhibited. As of 2014, works of high-speed photographer Harold Edgerton and kinetic artist Arthur Ganson are the two largest long-running displays. There is a regular program of temporary special exhibitions, often on the intersections of art and technology. In addition to serving the MIT community, the Museum offers numerous outreach programs to school-age children and adults in the public at large. The widely-attended annual Cambridge Science Festival was originated by and continues to be coordinated by the Museum.

List Visual Arts Center

Established in 1985, the List Visual Arts Center is the contemporary art gallery of the Massachusetts Institute of Technology . The LVAC is internationally recognized for the 4-6 exhibitions it presents each year in its 6,000-square-foot galleries, which are open to the general public. Admission is free to all, as are most events sponsored by the LVAC, including family-friendly hands-on art workshops. The LVAC is housed in the Wiesner building, an I.M. Pei-designed, fully accessible facility that incorporates the work of painter Kenneth Noland, sculptor Scott Burton, and environmental sculptor Richard Fleischner, all commissioned through MITs Percent-for-Art program. The Percent-for-Art program, administered by the LVAC, allocates funds for the commission of artworks in connection with each new campus construction or major renovation project. Past commissions include Louise Nevelsons Transparent Horizon in front of the Landau Building, Sol LeWitts polychrome floor in the Green Center for Physics, and Anish Kapoors untitled stainless steel piece in the Stata Center. The LVAC maintains a permanent collection, primarily sited throughout campus, of over 3,000 prints, photographs, drawings, paintings, sculptures, textiles, collages, and other objects of contemporary art. The public sculpture collection includes major works by such artists as Alexander Calder, Jorge Pardo, Henry Moore, Pablo Picasso, Sarah Sze, and Mark DiSuvero. An interactive map of all publicly situated art is available here. The Center also maintains the Student Loan Art Collection, consisting of 500 original works of art. Through this popular annual loan program, students may borrow original works of art from the collection for their private rooms or communal spaces. The artworks available for loan are exhibited in a September show, which may also be viewed by the general public. Each year, new works are added to the collection, and selected older works are reassigned to the non-circulating permanent collection. New selections are made with the advice of the MIT Council for the Arts, and usually consist of artists limited edition prints or photographs. The LVAC has been the commissioning institution for the Venice Biennales three times at the US Pavilion: 1999, artist Ann Hamilton with commissioners Katy Kline and Helaine Posner 2003, artist Fred Wilson with Kathy Goncharov as the commissioner 2015, artist Joan Jonas with Paul Ha as commissioner

Arthur D. Little Inc.

The Arthur D. Little Inc., Building is a National Historic Landmark at 30 Memorial Drive in Cambridge, Massachusetts. The building was constructed in 1917 for the Arthur D. Little Company alongside the campus of the Massachusetts Institute of Technology. The Arthur D. Little Company was founded in 1886 by Arthur Dehon Little, and was originally located on Milk Street in Boston. The three story brick building on Memorial Drive was constructed by the company to meet increasing demand for laboratory space, and is an architecturally unexceptional commercial structure. The building was declared a National Historic Landmark for its association with the Little company, the first business to be established as a consulting laboratory in the nation. Prior to its founding, individual businesses established their own research laboratories to make technological innovations. Little, and his partner William H. Walker, were among the first academically oriented researchers to create a consulting laboratory whose services could be hired by businesses. At first focused on the chemistry of cellulose and its uses in textiles and paper, the company was by 1909 the largest consulting industrial laboratory in the nation, and worked a wide array of research disciplines. Little was an early advocate of the importance of technological innovation, recognizing its importance in maintaining commercial success. He ran the company until is death in 1935, and willed his shares to MIT. The building was added to the National Register of Historic Places in 1976.

Wiesner building

The Wiesner building houses the MIT Media Lab and the List Visual Arts Center and is named in honor of former MIT president Jerome Wiesner and his wife Laya. The building is very box-like, a motif that is consistently repeated in both the interior and exterior design evoking a sense of boxes packed within each other. The building is notable for the level of collaboration between the architect and artists. It stands apart from the surrounding neighborhood with its flat, gridded skin make of white, modular metal panels. The building's exterior was designed by Kenneth Noland is meant as a metaphor of technology through the grids of graph paper and number matrices while also quoting the corridor-like morphology of the rest of the MIT campus. Scott Burton, Alan Shields, and Richard Fleischner also collaborated extensively in the final design of the internal atria and external landscaping. The Wiesner Building in Cambridge, Massachusetts houses the MIT Media Lab, the Center for Bits and Atoms , the Department of Architecture's Program in Art, Culture and Technology (ACT, formerly the Visual Arts Program), the Comparative Media Studies program and the List Visual Arts Center. It was designed by I.M. Pei & Partners. It is named in honor of former MIT president Jerome Wiesner and his wife Laya and was dedicated in 1985. The Wiesner Building is also known to the Massachusetts Institute of Technology community as Building E15.

Picower Institute for Learning and Memory

The Picower Institute for Learning and Memory is, along with the McGovern Institute for Brain Research and the Department of Brain and Cognitive Sciences, one of the three neuroscience groups at MIT. The institute is focused on studying all aspects of learning and memory; specifically, it has received over US$50 million to study Alzheimer's, schizophrenia and similar diseases. When it was established in 1994, the institute was primarily funded by the Sherman Fairchild Foundation, the RIKEN Brain Science Institute and the National Institute of Mental Health. It was renamed after a massive $50 million grant by the Picower Foundation in 2002. The Picower Foundation wealth was later found to have come mostly from Bernard Madoff's ponzi scheme, which stole billions of dollars from thousands of small Madoff investors and paid it out to Madoff insiders like Jeffry Picower as lavish, but totally fictitious, returns. Following Jeffry Picower's death in 2009 and subsequent 7.2 billion settlement of his estate with Madoff Trustee his remaining assets are funding a new Picower foundation, called 'The JPB Foundation', which like the old Picower foundation is run by Barbara Picower and April Freilich, Jeffry Picower's long time business associate. In its first year of operation, 2011, it was funded solely by a 100 million dollar gift from Jeffry Picower's estate, and its grants of 57 million that year ranked it among the top 100 United States foundations by gift amount. According to public records nearly half of The JPB Foundation's first year grant dollars went to MIT; 25 million for support of the Picower Institute for Learning and Memory (in accordance with a provision in Jeffry Picower's will), an additional 2 million to support the Picower Institute Innovation fund, and about ½ million to the Whitehead Institute for Biomedical Research adjacent to the MIT campus and associated with MIT. On July 1, 2009, Professor Li-Huei Tsai became the director of the Picower Institute. The institute was directed by founder and Nobel Prize laureate Susumu Tonegawa until he resigned on December 31, 2006, motivated by his belief that “a new generation of leadership is needed.”
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