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Top Attractions in Zamoskvorech'e

Moscow International House of Music

The Moscow International Performing Arts Centre was officially opened on September 28, 2003 with the debut of a new orchestra, the National Philharmonic of Russia under musical director Vladimir Spivakov. Also known as the Moscow International House of Music, it is situated on the Kosmodamianskaya Embankment off the Garden Ring Road. The architects were Yury Gnedovsky, Vladilen Krasilnikov, Dmitry Solopov, Margarita Gavrilova, and Sergey Gnedovsky of Krasniye Kholmy Russian Cultural-business Centre and Tovarishestvo Teatralniy Arkhitekturov. The project won the Khrustalny Dedal architectural award at the XI All-Russian Zodchestvo festival. The first stone was laid on September 7, 2000 by Spivakov and Moscow Mayor Yury Luzhkov. The Turkish firm Enka Insaat ve Sanayi A.S. constructed the centre. The centre cost US$200 million to construct, and was financed entirely by the City of Moscow. It was the first classical music hall constructed in the city in over a century. It is part of a business and hotel complex called Riverside Towers, intended by the City to be its equivalent of Lincoln Center. The centre has a circular concert hall similar to the Philharmonie in Berlin. Seating is laid out on two principal levels, and arranged in various tiers that almost surround the stage. The hall is on the third storey, with promenade areas below. The auditorium seats 1,735, and is composed largely of Siberian larch wood, a blonde wood considered among the best for acoustics, with a light, airy look. The centre also houses a 575-seat chamber hall and a 532-seat theater. In addition to the three concert venues, it also has sound studio, a rehearsal hall, an audio-video complex, an exhibition hall, a hall of light, music rooms, the Allegro restaurant, a Bluthner music room, a summer patio called the Music Terrace and another concert hall that seats 120. The modernistic, cylindrical glass and steel centre is topped by an enormous, 9.5 metre-tall, 2 metric-ton treble clef covered in mozaic gold that rotates like a weathervane, designed by sculptor Zurab Tsereteli. It also has the largest organ in Russia, installed in Svetlanov hall in 2004. The organ was co-designed and built by the German firms of Glatter-Goetz and Johannes Klais. It has more than 5,500 pipes, ranging in size from 8 millimetres to 9.25 metres, and weighs 30 tons. It has 84 stops – three more than the second-largest Russian pipe organ, located at Moscows Tchaikovsky Concert Hall. An early review in the newspaper Vedomosti questioned the "imperfect acoustics" of the main hall, although this review preceded installation of the organ, which was expected to alter the acoustics, and after which adjustments were anticipated. The centre was originally conceived as a home for the Russian National Orchestra. At the end of the 2002–2003 concert season, the Russian National decided not to renew Spivakovs contract as principal conductor and musical director, and he abruptly resigned. Spivakov lobbied government officials to conduct a new orchestra in Moscow. The National Philharmonic Orchestra was then formed under an executive order of Culture Minister Mikhail Shvydkoi, supported by President Vladimir Putin. Shortly after Spivakov became president of the Centre in May 2002, the Centre canceled the bookings for the Russian National, which rebooked some dates at higher fees and lost others. At the International House of Music, she played the Italian singer Antonella Ruggiero.

Church of the Savior on Bolvany

Church of Transfiguration of Savior in Bolvanovka , also abbreviated to Saviour in Bolvanovka , is an Orthodox church in Zamoskvorechye District of Moscow. The neighborhood, Bolvanovka , derives its name from Russian bolvan , which could mean either a billet or, in obsolete sense, a non-Orthodox cult image. There have different Bolvanovka neighborhoods in medieval Moscow, a sign of wide Tatar presence (e.g. near Taganka Square). A legend says that the church stands on site of a Tatar bolvan, an artifact which symbolized submission of Moscow to Golden Horde. Ivan III of Russia destroyed this symbol (or broke ambassador symbol basma (басма), that has the same name) and established an Orthodox church at this place in 1465. His refusal to pay tribute to the Horde resulted in the Great stand on the Ugra river of 1480. A wooden church had been mentioned in city records since 1465. The new baroque building was built in the 18th century; completion date is disputed (1722 or later); what is known definitely is that the church was consecrated in 1755. Alternative accounts assert that there was a succession of wooden churches built in 1708 and 1722; extant building that replaced them was built in 1749-1755. The church burnt down in the Fire of Moscow and was reopened to worshippers in 1815 with subsequent expansion in 1839. It was closed by Bolsheviks in 1922, partially destroyed, and returned to the worshippers in 1991. A temporary, standalone wooden belltower was added in the 1990s.

Dobryninskaya

Dobryninskaya (Russian: Добры́нинская) is a station on the Koltsevaya Line of the Moscow Metro. Opened on 1 January 1950 it was part of the first segment of the fourth stage of the system. It was originally named Serpukhovskaya (Russian: Серпуховская), after the Serpukhovskaya Square. The station has a pylon trivault built in the flamboyant architecture style of the late 1940s — early 1950s. Architect Leonid Popov (and co-authors M. Zelenin and M. Ilin) based their design on themes inspired by the city of Serpukhov, with the overall design referring to ancient Russian architecture and in particular the Church of the Intercession on the Nerl, which is repeated in the design of the portals and the beige marble composition. Other innovations by Popov include the station walls on the platform halls where (above dark red marble) run white cylindrical marble plinths designed to reflect directly into the eyes of passengers. To keep the bright and light appearance of the station, the vaults of the station were left simply plastered and painted white, with lighting coming from a zigzag arrangement of horizontal fluorescent tubes. The floor is a dark grey granite, typical of older Orthodox Churches. Contrasting with the ancient connotations are 12 bas-reliefs on the pylons by Yelena Yason-Manizer depicting traditional labours (hunting, fishing, grape-picking etc.) of different nationalities of the Soviet Union. Yelena Yason-Manizer was also sculptor of the original bas-relief at the end of the station which featured a large profile of Joseph Stalin and Coat of Arms of the Soviet Union. This was removed in 1961 and in 1967 replaced with the present mosaic by the same artist, titled Morning of the Cosmic Era. Further works of Popov (and co-architect Tatarzhinskaya) include the station's large vestibule, located on the corner of Lyusinovskaya Street and Serpukhovskaya Square. Like the platform halls the portico was based on medieval Russian themes and the pilaster was copied from an archaeological discovery in Taman that dates to Byzantine times. The interior of the vestibule again depicts patriotic Soviet themes including three large floor-to-ceiling mosaics (artists G. Rublev and B. Iordansky). The central piece is a large banner with a profile of Vladimir Lenin and the 16 Coats of Arms of Soviet Socialist Republics, flanked by feature images of two Parades on Red Square: on the left Sports in Soviet Union|Soviet athletes and on the right the Soviet Military. This once featured a portrait of Stalin being carried; like the bas-relief in the Central Hall, this was removed in 1961 and carefully replaced with an image of Yuri Gagarin. Other features of the vestibules include the majestic blue torchieres which flank the escalator ascend and a massive chandelier which is adorned with a large red glass star. On 6 June 1961 the station was renamed in honour of Peter Dobrynin a bust of whom was placed in front of the vestibule. In 1983, the station Serpukhovskaya of the Serpukhovsko-Timiryazevskaya Line was opened (also a work of Popov) and a transfer-passage was created from the middle of Dobryninskaya to the middle of the new station. On 22 December 2006 the vestibule was closed for nearly 18 months during which time the old escalators were replaced, new turnstiles were installed and a complete overhaul of all communication systems, new security and a thorough restoration was carried out. The renewed vestibule was re-opened on 11 June 2008

Paveletskaya

Paveletskaya (Russian: Павеле́цкая) is a station on the Koltsevaya line of the Moscow Metro. Opened on 1 January 1950 as part of the first segment of the fourth stage, the station is a pylon-trivault built in the style of the late 1940/early 1950s Stalinist architecture to a design by architects Nikolai Kolli and I. Kasetl. The station's theme comes from the Paveletsky railway terminal from which trains depart towards the Volga Region. Thus agricultural influences are clearly seen, these include the square white koyelga marble columns decorated with red marble strips, flanked by marble columns with modern Ionic capitals. Bright bronze chandeliers provide lighting. The walls repeat the two tone marble, white on top, red on bottom, and the floor is laid with grey and white granite. The station's vestibule is built into the corner of the Garden Ring and Zemlyannoy Val, and occupies the ground floor of the building there. Inside above the escalator is a circular mosaic panel by Pavel Korin Red Square which depicts the Lenin's Mausoleum and the Saint Basil's Cathedral, frammed by a bas-relief with typical soviet banners and floral arrangements with names of Volga cities on the sides. The vestibule has another artwork by Iosif Rabinovich, which is a mosaic on the dome of the vestibule on the theme of the permanent end to drought in the Volga. As the station was made to be a transfer point to Paveletskaya station of the Zamoskvoretskaya line, the vestibule was built as an entrance to both stations, however as the radial station of the Zamoskvoretskaya line was undergoing reconstruction the vestibule doubled as a transfer point. A direct corridor was opened only on 30 July 1955, which saw the addition of large staircases surrounded by marble balustrades in the centre of the platform. The other major change was that initially in the end of the station was a large medallion with image of Vladimir Lenin and Joseph Stalin, but during the 1961 de-Stalinization drive this was removed and instead replaced by the present artwork by Pavel Korin showing the Coat of Arms of the Soviet Union being held by a worker man and peasant woman amid floral backgrounds.

Tretyakovskaya

Tretyakovskaya (Russian: Третьяко́вская) is a station complex of Moscow Metro located in the Zamoskvorechye District, Central Administrative Okrug. It offers a cross-platform interchange between Kaluzhsko-Rizhskaya and Kalininsko-Solntsevskaya lines. It is named after the nearby Tretyakov Gallery. Unlike Kitay-gorod which was purpose-built as a cross-platform interchange station, Tretyakovskaya operated as a normal station before the connection with Kalininskaya Line in 1986. At that time a second hall was opened forming a cross-platform interchange. The two halls are joined by a passage located midway along their length and also by the shared vestibule, which opens onto Klimentovsky Lane. The southern hall of Tretyakovskaya opened on 3 January 1971. Designed by V. Polikarpova and A. Marova, it has block pylons faced with white Koyelga marble and joined by a continuous marble cornice. Kaluzhsko-Rizhskaya Line trains stopped at both platforms of this hall until 1986, when the new northern hall opened. Currently the southern hall is served by northbound trains of both lines, terminating at Medvedkovo and Novokosino. The northern hall, served by southbound trains terminating at Tretyakovskaya and Novoyasenevskaya, was designed by R. Pogrebnoy and V. Filippov. It features curved white marble separated by translucent panels which conceal fluorescent light fixtures. The walls are faced with red marble and decorated with a series of plaques by Alexander Bourganov depicting great Russian painters.

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