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Cathedral of Burgos

The Cathedral of Saint Mary of Burgos is a Catholic church dedicated to the Virgin Mary located in the Spanish city of Burgos. Its official name is Santa Iglesia Catedral Basílica Metropolitana de Santa María de Burgos. Its construction began in 1221, following French Gothic patterns . Had major changes in the 15th and 16th centuries: the spiers of the main facade, the Chapel of the Constable and dome of the cruise, elements of the advanced Gothic which give the temple its unmistakable profile. The last works of importance (the Sacristy or the Chapel of Saint Thecla) already belong to 18th century, century in which were also modified the Gothic portals of the main facade. The style of the cathedral is the Gothic, although it has, in its interior, several decorative Renaissance and Baroque elements. The construction and renovations were made with limestone extracted from the quarrys of the nearby town of Hontoria de la Cantera. In the cathedral are preserved works of extraordinary artists, such as architects and sculptors of the Colonia family (Juan, Simón and Francisco), the architect Juan de Vallejo, sculptors Gil de Siloé, Felipe Bigarny, Rodrigo de la Haya, Martín de la Haya, Juan de Ancheta and Juan Pascual de Mena, the sculptor and architect Diego de Siloé, the fencer Cristóbal de Andino, the glazier Arnao de Flandes or painters Alonso de Sedano, Mateo Cerezo, Sebastiano del Piombo or Juan Ricci, among others. The design of the main facade is related to the purest French Gothic style of the great cathedrals of Paris and Reims, while the interior elevation as a reference to Bourges Cathedral. It consists of three bodies topped by two lateral square towers. The squelettes of Germanic influence were added in the 15th century and are the work of Juan de Colonia. In the outside are outstanding also covers del Sarmental and la Coronería, 13th century Gothics, and the cover de la Pellejería of 16th century Plateresques-Renaissance influences. There are numerous architectural, sculptural and pictorial treasures inside. Highlights include: The Gothic-Plateresque dome, raised by Juan de Colonia in the 15th century. The Chapel del Constable, of Isabelline Gothic style, which worked the Colonia family, Diego de Siloé and Felipe Bigarny. The Spanish-Flemish Gothic altarpiece by Gil de Siloé for the Chapel of Saint Anne. The stalls of the choir Renaissance Plateresque work by Bigarny. The late Gothic reliefs of the girola by Bigarny. Numerous Gothic and Renaissance tombs. The Renaissance Golden staircase by Diego de Siloé. The Santísimo Cristo de Burgos, image of great devotional tradition. The tomb of El Cid and his wife Doña Jimena, his letter of Down payment and his chest. The Papamoscas, articulated statue that opens his mouth to give the chiming of the hours. The cathedral was declared a World Heritage Site by UNESCO on October 31, 1984. It is the only Spanish cathedral that has this distinction independently, without being joined to the historic center of a city (as in Salamanca, Santiago de Compostela, Ávila, Córdoba, Toledo, Alcalá de Henares or Cuenca) or in union with other buildings, as in Seville. It is similar in design to Brussels Cathedral.

Siege of Burgos

At the Siege of Burgos, from 19 September to 21 October 1812, the Anglo-Portuguese Army led by General Arthur Wellesley, Marquess of Wellington tried to capture the castle of Burgos from its French garrison under the command of General of Brigade Jean-Louis Dubreton. The French repulsed every attempt to seize the fortress, resulting in one of Wellington's rare withdrawals, as he went on to defeat the army sent to flank him at the Lines of Torres Vedras, pursued them and then returned to complete the siege of Burgos and capture the city. The siege took place during the Peninsular War, part of the Napoleonic Wars. Burgos is located about 210 kilometres north of Madrid. After crushing Marshal Auguste Marmont's French army at the Battle of Salamanca in July 1812, Wellington exploited his great victory by advancing on Madrid. King Joseph Bonaparte and Marshal Jean-Baptiste Jourdan retreated to Valencia where they sought refuge with Marshal Louis Gabriel Suchet. The magnitude of Wellington's triumph also compelled Marshal Nicolas Soult to evacuate Andalucia in the south and withdraw to Valencia. The combined armies of Soult and Joseph soon posed a serious menace to Wellington's grasp on Madrid. The recently defeated French army in the north also built up its strength. Wellington made plans to counter the southern French threat while hoping to quickly capture the strategically important Burgos position, which was an important French supply base. Instead, Dubreton led a masterful defense, thwarting Wellington's assaults time after time. The British commander's hopes were blasted when his attempts to contain the twin French counteroffensives failed. With large French relief armies approaching Burgos from the northeast and Madrid from the southeast, the British commander withdrew to the west, abandoning large areas of Spain that had been recently liberated. That fall the French lost an opportunity to defeat Wellington's army. Nevertheless, during the withdrawal to Portugal the Anglo-Portuguese army lost many men to pursuing French cavalry and starvation.

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