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Top Attractions in Wells next the Sea

Holkham Hall

Holkham Hall is an 18th-century country house located adjacent to the village of Holkham, Norfolk, England. The house was constructed in the Palladian style for Thomas Coke, 1st Earl of Leicester by the architect William Kent, aided by the architect and aristocrat Lord Burlington. Holkham Hall is one of Englands finest examples of the Palladian revival style of architecture, and the severity of its design is closer to Palladios ideals than many of the other numerous Palladian style houses of the period. The Holkham Estate, had been built up by Sir Edward Coke, the founder of his family fortune. He bought Neales manor in 1609, though never lived there, and many other purchases of land in Norfolk to endow to his six sons. His fourth son, John, inherited the land and married heiress Meriel Wheatley in 1612. They made me Hill Hall their home and by 1659 John had complete ownership of all three Holkham manors. It is the ancestral home of the Coke family, the Earls of Leicester of Holkham. The interior of the hall is opulently but, by the standards of the day, simply decorated and furnished. Ornament is used with such restraint that it was possible to decorate both private and state rooms in the same style, without oppressing the former. The principal entrance is through the Marble Hall, which leads to the piano nobile, or the first floor, and state rooms. The most impressive of these rooms is the Saloon, which has walls lined with red velvet. Each of the major state rooms is symmetrical in its layout and design; in some rooms, false doors are necessary to fully achieve this balanced effect.

Art collections of Holkham Hall

The art collection of Holkham Hall in Norfolk, England remains very largely that which the original owner intended the house to display; the house was designed around the art collection acquired (a few works were commissioned) by Thomas Coke 1st Earl of Leicester during his Grand Tour of Italy during 1712–18. To complete the scheme it was necessary to send Matthew Brettingham the younger to Rome between 1747 and 1754 to purchase further works of art. The design of the house was a collaborative effort between Thomas Coke, Richard Boyle, 3rd Earl of Burlington and William Kent, with Matthew Brettingham the elder acting as the on site architect. The house was built between 1736 and 1764, with work on the interiors only completed in 1771. By 1769 all the men had died, this left Thomas's widow, Lady Margaret Tufton, Countess of Leicester, (1700–1775) to oversee the completion of the House, their only child to survive infancy, Lord Edward had died without issue in 1753. The house is designed with a corps de logis containing the state rooms on the first floor piano nobile, surrounded by four wings: to the southwest the family wing, to the north-west the guest wing, to south-east the chapel wing and to the north-east the kitchen wing. With all the intervening doors open it is possible to stand in the Long Library and look down the full length of the southern State Rooms and see the east window of the Chapel in the opposing wing the full 344 feet (105 m) length of the House. The family wing is a self-contained residence, meant for daily living. The Marble Hall is in the centre of the north front, to its west is the North Dining Room (also called the State Dining Room), then along the west side of the corps de logis is the Statue Gallery, to its east on the south front is the Drawing Room, then the Saloon, South Dining Room, Landscape Room north of which on the east side of the corps de logis is the Green State Bedroom, Green State Dressing Room, North State Dressing Room, The North State Bedroom, and finally to the west the State Sitting Room with the Marble Hall to its west. Much thought went into the placing of sculptures and paintings, involving subtle connections and contrasts in the mythological and historical characters and stories depicted. The state rooms were designed with symmetrical arrangements of doors, windows and fireplaces, this meant that some walls have false doors to balance real doors. This need for balance and harmony extended to the placing of sculpture, paintings and furniture. Each art work being balanced by a piece of similar size though sometimes of contrasting subject matter. Examples are the two paintings commissioned by Thomas Coke above the fireplaces in the Saloon, Tarquin Raping Lucretia & Perseus and Andromeda, in the first painting a man the last king of Rome is violating a woman, in the second painting a man is rescuing a woman from being killed. The result of the rape of Lucretia is the overthrow of a Tyrant, the rescue of Andromeda results in Perseus becoming a king. Other connections are the sculptures in the two Exedras of the Statue Gallery, in the southern are two satyrs, symbols of ungoverned passion and lust, opposite are Athena virgin, goddess of wisdom and Ceres the preserver of marriage and sacred law. In the Landscape Room it is possible to go from looking at the paintings to looking through the window at a real Landscape garden, one influenced by the images on the walls. The works collected in Italy include: sculpture, paintings, mosaics, books, manuscripts and old master drawings (most of which have been sold). The books included one of Leonardo da Vinci's note books now known as the Codex Leicester which was sold from the collection in 1980.
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