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Top Attractions in León

Museo de Arte Contemporáneo de Castilla y León

The Museo de Arte Contemporáneo de Castilla y León, better known as the MUSAC, is a contemporary art museum in the city of León, Spain. Inaugurated in April 2005 by Felipe, Prince of Asturias, this cultural institution aims to be a "Museum of the Present", in the words of its curator Agustín Pérez Rubio, and thus only collects artworks from the latest generation of artists, between 1992 and 2012. The museum has won international prestige for its 21st-century collection and innovative programming, being labelled, for example, as "one of the most astonishingly bold museums to hit the Spanish cultural landscape in years" by The New York Times. The MUSAC building is celebrated for its avant-garde architecture, and it has been awarded a number of prizes, such as the 2007 European Union Prize for Contemporary Architecture . Designed by the architectural studio of Luis M. Mansilla and Emilio Tuñón, the multicolored panels that adorn the exterior of the museum resemble the stained-glass windows of a cathedral. Indeed, the architects drew their inspiration for this work from the main rose window at the local 13th century Gothic cathedral, Santa María de León. MUSAC has become a landmark for the city of León, and an emblem of the new 21st century Spanish architecture, as showcased in a 2006 exhibition at the MoMA of New York City, which selected the MUSAC as one of the arquitectural projects that make Spain today "an international center for design innovation and excellence".

Tabakalera

Tabakalera is name of one of the biggest buildings of Donostia-San Sebastián, northern Spain. Located in the Egia district, next to the North railway station and the Cristina Enea park, it takes up one of the biggest plots of the urban area. For 90 years, Tabakalera was the tobacco factory of Donostia-San Sebastian. It was one of the biggest and most of the workers were women. The building took the name of the enterprise that managed the tobacco production in Spain until the privatisation process that converted Tabacalera in Altadis. In 2003 the factory was closed by Altadis. A year later, in 2004, the Donostia-San Sebastian City Council, the Provincial Council of Gipuzkoa and the Basque Government bought the building in order to transform it into an international contemporary culture centre. "Contemporary art, television, video and cinema, design and sound will converge in a same space. A singular space of exhibitions and audio-visual programmes. And, above all, a place to work, to produce, to create. An image factory". Since 2007 Tabakalera has organised a wide sort of activities. Exhibitions like Summer by Julian Schnabel, No es Neutral, Egiatik and Look Again or experimental shortfilm screenings like LABO, in collaboration with Clermont-Ferrand Festival.

San Juan y San Pedro de Renueva

San Juan y San Pedro de Renueva is a church in León, central Spain. It was built in the mid-20th century in Neo-Renaissance style by will of the local bishop, Luis Almarcha Hernández. Its main artistical feature is the entrance gate, in Baroque style, taken from the ruined monastery of San Pedro de Eslonza, located 22 km outside León in the municipality of Gradefes. It dates from 1711 and was designed by the architect Pedro Martínez de Cardeña. It has three orders, the first characterized by four Ionic columns over pedestals, the second similar to the former, apart the use of Corinthian columns and the narrower length. It is sided by two circular windows, and surmounted by another one over a coat of arms. The façade ha five niches, now empty, but originally housing statues of saints. The central façade is sided by two slender bell towers dating to the 20th-century edifice.

Convent of San Marcos

The convent of San Marcos in León, Spain is today an operating luxury parador hotel. It also contains a consecrated church and museum, and is one of the most important monuments of the Renaissance in Spain. It is one of the greatest architectural jewels of León, together with the Cathedral, the Basilica of San Isidoro and la Casa Botines. It has a highly ornamental plateresque facade. The darkest period in the monastery of San Marcos's five centuries of history is concentrated in just four years. During the course of the Spanish Civil War cells, rooms, stables, cloisters, church, choir, museum and every fast corner of the building were transformed into impromptu dungeons or jailers' offices. Between July 1936 and the end of 1940, up to 7,000 men and 300 women were imprisoned at the same time. It is estimated that, over the entire war and the period immediately following, the number of Republican militia members and political prisoners that passed through its cells totaled some 20,000. In the province of Leon, around 3,000 deaths are recorded due to the repression, and a good number of these came from the dungeons of San Marcos. The origins of this building lie in the twelfth century, in the days of Alfonso VII of León. His sister, the Infanta Sancha of Castile, made a donation in July 1152 to construct a modest building on the outskirts of the walled city, on the banks of the Bernesga river, where "the poor of Christ" could stay. This would be a hospital-temple of shelter for pilgrims travelling the Camino de Santiago. Also, the building was the main residence for the Order of Santiago in the Kingdom of León. In 1176, Pedro Fernandez de Castro, the first maestre of the Order of Santiago was elected as the first prior, and in 1184 he was buried in his church. History of construction In the sixteenth century, the medieval building was found to be in poor condition, so it was demolished and a new work was carried out thanks to a grant from Ferdinand the Catholic King in 1514. The architects appointed for this work were: Juan Orozco , Martin Villarreal and Juan de Badajoz el Mozo . However, the new work was not started until well into the reign of Charles I. It is known that the wall of the main facade of the convent was built from the entrance up to the church in 1537, and this was consecrated in 1541. In the following years, Orozco constructed the sculptures of the facade, the choir area was completed, and in 1549 Juan de Badajoz finished the sacristy. Work was suspended in 1566 due to the move of the religious community to Calera and then to Mérida, but the return of the friars to San Marcos in 1602 gave impetus to continue the work. In 1615, the staircase was built, and in 1679 was completed the still missing part of the cloister. Finally, between 1711 and 1715 there was a large expansion of the building, with another wall being raised that went from the main entrance to the river, and ending at the palace tower. This new wall perfectly mimics the one built in the sixteenth century, with any artistic difference between the two halves of the facade being barely noticeable. Today, it is a hostel belonging to the state-owned Paradores de Turismo and a church with a museum. It is necessary step in the Camino de Santiago.

Basilica of San Isidoro

The Basilica of San Isidoro is a church in León, Spain, located on the site of an ancient Roman temple. Its Christian roots can be traced back to the early 10th century when a monastery for Saint John the Baptist was erected on the grounds. In 1063 the basilica was rededicated to Saint Isidore of Seville. Isidore was archbishop of Seville, and the most celebrated academic and theologian of Visigothic Spain in the period preceding the Arab invasions. With the agreement of Abbad II al-Mu'tadid, the Muslim ruler of Seville, Isidore's relics were brought to Leon where they could be interred on Christian soil. The tomb of the saint still draws many visitors today. An equestrian statue of Saint Isidore dressed as Santiago Matamoros is visible, along with many other sculptures, high on the facade.

Convento de San Marcos

The Convento de San Marcos was a convent in León, Spain is today an operating luxury parador hotel. It also contains a consecrated church and museum, and is one of the most important monuments of the Renaissance in Spain. It is one of the greatest architectural jewels of León, together with the Cathedral, the Basilica of San Isidoro and la Casa Botines. It has a highly ornamental plateresque facade. The darkest period in the monastery of San Marcos's five centuries of history is concentrated in just four years. During the course of the Spanish Civil War cells, rooms, stables, cloisters, church, choir, museum and every fast corner of the building were transformed into impromptu dungeons or jailers' offices. Between July 1936 and the end of 1940, up to 7,000 men and 300 women were imprisoned at the same time. It is estimated that, over the entire war and the period immediately following, the number of Republican militia members and political prisoners that passed through its cells totaled some 20,000. In the province of Leon, around 3,000 deaths are recorded due to the repression, and a good number of these came from the dungeons of San Marcos. The origins of this building lie in the twelfth century, in the days of Alfonso VII of León. His sister, the Infanta Sancha of Castile, made a donation in July 1152 to construct a modest building on the outskirts of the walled city, on the banks of the Bernesga river, where "the poor of Christ" could stay. This would be a hospital-temple of shelter for pilgrims travelling the Camino de Santiago. Also, the building was the main residence for the Order of Santiago in the Kingdom of León. In 1176, Pedro Fernandez de Castro, the first maestre of the Order of Santiago was elected as the first prior, and in 1184 he was buried in his church.
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