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Top Attractions in Sanssouci Park

Church of Peace

The Protestant Church of Peace is situated in the Marly Gardens on the Green Fence in the palace grounds of Sanssouci Park in Potsdam, Germany. The church was built according to the wishes and with the close involvement of the artistically gifted King Frederick William IV and designed by the court architect, Ludwig Persius. After Persius death in 1845, the architect Friedrich August Stüler was charged with continuing his work. Building included work by Ferdinand von Arnim and Ludwig Ferdinand Hesse also. The church is located in the area covered by the UNESCO World Heritage Site Palaces and Parks of Potsdam and Berlin. The cornerstone of the churchhouse was laid on April 14, 1845. The building was dedicated on September 24, 1848, though construction continued until 1854. The structure resembles a High Medieval Italian monastery.

Obelisk

The Obelisk entrance constitutes the eastern limit of Sanssouci Park in Potsdam, Germany. Following plans by Georg Wenzeslaus von Knobelsdorff, Frederick the Great ordered in 1747 that this exit from the park be built. The New Palace, built at a later date, stands in the line of sight of the entrance; the two are connected by the roughly 2 km long main alley. Two sandstone statues from the workshop of the sculptor Friedrich Christian Glume stand next to the pillars positioned in a square, right and left from the lower gateway to the park. Flora, the goddess of flowers, and Pomona, the goddess of fruit, draw attention to the fusion of the ornamental and kitchen garden styles in the park. The obelisk entrance was used in Fredericks time solely as an exit from the park. This is the reason that the figures look into the interior of the park, so that they can say farewell to the guests. The name of the palace is written a few steps beyond the obelisk. Likewise sketched by von Knobelsdorff, it indicates the boundary of Sanssouci Park. The decorative hieroglyphs were given over to the imagination of the artist and thus contain no text, as in the 18th Century a translation of the ancient characters was not possible.

Chinese House

The Chinese House is a garden pavilion in Sanssouci Park in Potsdam, Germany. Frederick the Great had it built, about seven hundred metres southwest of the Sanssouci Summer Palace, to adorn his flower and vegetable garden. The garden architect was Johann Gottfried Büring, who between 1755 and 1764 designed the pavilion in the then-popular style of Chinoiserie, a mixture of ornamental rococo elements and parts of Chinese architecture. The unusually long building time of nine years is attributed to the Seven Years War, during which Prussias economic and financial situation suffered significantly. Only after the end of the war in 1763 were the chambers inside the pavilion furnished. As the building served not only as a decorative piece of garden architecture but also as a setting for small social events, Frederick the Great ordered the building of a Chinese Kitchen, a few metres south-east of the Chinese House. After a conversion in 1789, only the hexagonal windows show the Oriental character of the former outbuilding. A few years later, the Dragon House was built in the form of a Chinese pagoda on the northern edge of Sanssouci Park bordering Klausberg. The building was Frederick the Greats attempt to follow the Chinese fashion of the 18th century, which began in France before spreading to England, Germany, and Russia.

Roman Baths

The Roman Baths, situated northeast of the Charlottenhof Palace in the Sanssouci Park in Potsdam, reflect the Italiensehnsucht of its creator Frederick William IV of Prussia. Various classical Roman and antique Italian styles were melded into an architectural ensemble, created between 1829 and 1840. While still crown prince, Frederick William commissioned both Charlottenhof and the Roman Baths . Coming up with numerous ideas and drawing many actual drafts, the artistically inclined heir to the throne had considerable influence on the plans of the architect, Karl Friedrich Schinkel. Charged with managing the actual construction was one of Schinkels students, Ludwig Persius. The gardeners house and the adjacent house for the gardeners helpers were both built in Italian country villa style . The Roman Bath, which gave its name to the ensemble in its entirety, was styled after ancient villas. Together with a small tea pavilionmodelled on temples of classical antiquity, they form a complex of buildings tied together by pergolas, arcades and garden spaces. The individual buildings were largely inspired by Schinkels second trip to Italy in 1828. Thus the Roman Bath, which has never actually been used as a bathing facility, came into being thanks purely to the romantic fantasy of the royal Italophile. The names of the rooms connote a mixture of antique villas and Roman baths. The atrium, the courtyard of a Roman house, is the reception area. The Impluvium, actually only a glorified rainwater-collection device, gives its name to the whole room in which it is located. The Viridarium is actually a small garden. Additional names associated with Roman thermal baths are Apodyterium for the changing room and Caldarium. The whole nostalgic creation is on the bank of an artificial lake created during Peter Joseph Lennés formation of the Charlottenhof areal. The so-called machine pond gets its name from a steam engine building and an adjacent pumping station torn down in 1923. The large hull of a well marks the location of the former building. The steam engine was not just responsible for keeping the artificial waters of Charlottenhof moving – its smokestacks were also a symbol of progress and what was at its time advanced technology.

Dragon House

Dragon House is a historical building in Potsdam, Germany, built by King Frederick the Great of Prussia on the southern slope of the Klausberg, which borders the northern edge of Sanssouci Park. It was constructed between 1770 and 1772 in the prevailing Chinoiserie taste of the time, designed to imitate a Chinese pagoda. Carl von Gontard was commissioned to build it. The Dragon House is named after the sixteen dragons on the corners of its concave roofs. Six years after the construction of the Chinese House in Sanssouci Park, Frederick's enthusiasm for Chinoiserie park structures was expressed once again with this creation. Frederick the Great was stimulated to build in a Far Eastern style by Sir William Chambers's Designs of Chinese Buildings" and from his Plans, elevations, section and perspective views of the gardens and buildings at Kew" . These architectural reference books were given to Frederick by the author, who had created for Augusta, Princess of Wales a large garden at Kew , in which there still stands Chambers's many-tiered tapering pagoda, completed in 1762. The Dragon House at Sanssouci was built on an octagonal plan, with four floors not only to be decorative, but also as living quarters for the wine-growers who worked on the neighbouring Weinberg. However, they did not move into the pagoda. To save the pagoda from its dilapidated state, it had to be restored in 1787. Ever since then it has been constantly inhabited by the overseer of the Belvedere on the Klausberg. Over the years, because of its inhabitation, an additional room, a laundry and three stables have extended the two rooms—a kitchen and an entrance hall—of the structure. The Dragon House has been used since 1934 in a gastronomical capacity.
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